Heart of Stone: SAB Choral Octavo
from SIX
Words and music by Toby Marlow and Lucy Moss / arr. Andy Beck
Item: 00-PO-0007103
Minimum order quantity: 20 copies
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More about this title
About the Composer: Toby Marlow
Toby Marlow is a British composer and lyricist who co-created SIX with Lucy Moss while both were students at Cambridge University. The musical's rapid rise from Edinburgh Fringe to Broadway and West End stages established Marlow as a distinctive voice in contemporary musical theater, drawing on pop and R&B idioms to tell stories that resonate with modern audiences.
Marrow's work in SIX demonstrates a gift for embedding emotional depth within accessible, rhythmically engaging pop contexts. His compositions balance theatrical storytelling with the kind of musical vocabulary that translates naturally into choral settings, making his work particularly valuable for choirs seeking contemporary material that feels both current and singable.
Why we love this
This arrangement captures everything that makes SIX resonate with young singers: a song rooted in genuine emotional stakes rather than spectacle. Beck's SAB voicing preserves the song's R&B groove and contemporary feel while making it fully accessible to mixed choirs without sacrificing the power ballad weight Jane Seymour's moment demands. Programming it signals to your singers that their repertoire includes the music of their cultural moment.
What to expect
A moment of reckoning wrapped in groove. The song sits in the vulnerability between resignation and defiance, as Jane Seymour sings devotion not as triumph but as fact. The R&B textures and layered voices build something grand from that stillness, transforming personal conviction into collective sound.
Who it's for
Choirs seeking meaningful contemporary material that speaks directly to the experiences and musical language of today's singers. This arrangement works equally well for high school choirs, community ensembles, and adult groups willing to engage with pop idioms and emotional honesty.
How to get the most out of it
- Treat the R&B groove as your foundation. Even at moderate tempos, the rhythmic pocket should feel relaxed and behind the beat rather than pushed; this is what gives the song its contemporary character.
- Layer the texture deliberately. The arrangement's power comes from stacking voices strategically, so mark exactly where individual voice parts drop in and out during the final flourish and commit to those moments in rehearsal.
- Anchor the emotional arc in the lyric 'My love is set in stone.' This is the song's axis; everything before it builds toward this declaration, and everything after explores what that devotion means.
- Use the recorded accompaniment to lock the rhythmic feel early. Once your singers absorb the groove through listening, pull it away occasionally so they own the pocket independently.
How to use it
Pair this with other contemporary choral arrangements to signal a concert segment that speaks to modern audiences, or program it alongside art songs and classical pieces to demonstrate the full range of what choral music encompasses. It also works as a powerful centerpiece for a concert exploring storytelling across genres, or as a statement piece closing a set of shorter contemporary works.
Skills your students will build
- Singing in R&B groove and contemporary rhythmic feels
- Blending layered, homophonic textures with independent voice lines
- Managing the emotional transition between restraint and full vocal power
- Interpreting contemporary pop vocal production techniques in a choral context
- Maintaining rhythmic independence while supporting the overall ensemble sound