Heart of Stone: SATB Choral Octavo
from SIX
Words and music by Toby Marlow and Lucy Moss / arr. Andy Beck
Item: 00-PO-0007102
Minimum order quantity: 20 copies
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More about this title
About the Composer: Toby Marlow
Toby Marlow is a composer and lyricist who co-created SIX with Lucy Moss while they were students at Cambridge University. The musical became a global phenomenon, premiering in London's West End before transferring to Broadway, where it won the 2022 Tony Award for Best Original Score. Marlow's work is distinguished by his ability to blend contemporary pop and R&B sensibilities with emotionally intelligent storytelling.
As a composer for musical theatre, Marlow has redefined how pop music functions in dramatic contexts, moving beyond pastiche into genuine character revelation. His scores prioritize accessibility without sacrificing harmonic sophistication, making them ideal for choral arrangements that engage both singers and audiences.
Why we love this
This arrangement captures the emotional weight of Jane Seymour's story while maintaining the R&B groove that makes SIX so immediately engaging. Andy Beck's choral writing layers voices in ways that feel natural to pop textures rather than forcing the song into traditional choral conventions, and the final flourish gives your ensemble a genuinely rewarding moment to sink their voices into.
What to expect
A moment of quiet resistance wrapped in contemporary production. Despite the devotion Jane sings about, there's vulnerability threaded through the R&B texture. The arrangement builds from introspection to full-voiced declaration, mirroring her emotional arc.
Who it's for
Choirs seeking contemporary material that respects both pop idiom and vocal writing. This octavo works for high school choirs, collegiate groups, and community ensembles with singers who connect to musical theatre and modern music.
How to get the most out of it
- Treat the R&B groove as your rhythmic foundation. Lock the rhythm section's pocket early in rehearsals; everything else builds from that pocket.
- Balance transparency in the lower voices against soprano weight during the layered sections. These overlapping textures need air between them.
- Shape the final flourish with careful dynamic control. The power comes from precision and unified phrasing, not from pushing volume.
- Use the recorded accompaniment to internalize the original groove before rehearsing a cappella sections, if any exist in your arrangement.
How to use it
Pair this with other contemporary choral works in a musical theatre showcase, or program it as a thoughtful contrast to traditional pop arrangements. Its theatrical roots make it ideal for spring concerts exploring how modern musical storytelling reaches choral ensembles.
Skills your students will build
- Singing in R&B and pop grooves with rhythmic precision
- Balancing layered choral textures in contemporary arrangements
- Connecting character and emotional arc to vocal performance
- Sight-reading rhythmically complex pop-influenced notation