Hear the Bells Ring! Cover Image

Hear the Bells Ring!: 2-Part Choral Octavo

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Hear the Bells Ring! Cover Image

Hear the Bells Ring!: 2-Part Choral Octavo

Words and music by Greg Gilpin

Item: 00-51256

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Description
This bright Christmas fanfare makes a great opener or closer. Brimming with buoyant vocal parts and playful "ding-a dings" to spare, it's equal parts festive and fun.

As part of the PerformancePlus+ series, this title is in the MakeMusic Cloud interactive library. Subscribers can access additional resources, including assessment and recording tools, part-predominant and accompaniment tracks, PDF rehearsal guides, and more.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Hear the Bells Ring!: 2-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081582931
SKU: 00-51256

More about this title

Why we love this

The playful 'ding-a dings' give this piece genuine personality without veering into novelty territory. It's sophisticated enough that your singers won't feel like they're performing children's music, yet accessible enough that even less experienced choirs nail the energy in minimal rehearsal time.

What to expect

Festive bells ring out over buoyant harmonies that feel instantly celebratory. The playful vocal writing bounces with holiday joy, creating a soundscape that feels both ceremonial and delightfully unselfconscious.

Who it's for

Directors preparing a Christmas concert need a piece that opens or closes with immediate energy and lift. This works especially well for middle school, high school, and community choirs seeking holiday repertoire that doesn't require advanced vocal ranges or complex voicing.

How to get the most out of it

  • Lean into the rhythmic precision of those bell effects. They'll land harder if the whole choir treats them as a percussion section would, locking in the exact articulation rather than letting them blur together.
  • Balance the buoyancy by resisting the urge to rush. The bright character works best when the tempo stays steady and the ensemble can hear each other's parts clearly.
  • Take advantage of the recorded accompaniment to lock the phrasing and harmonic language early in rehearsal. This frees your rehearsal time to polish intonation and blend in the 2-part writing.

How to use it

Position this as a concert opener to grab attention right away, or place it near the close as a final statement of seasonal warmth. Its eight pages and straightforward 2-part voicing make it ideal for concert programming alongside longer, more demanding pieces that benefit from rehearsal focus elsewhere.

Skills your students will build

  • Rhythmic precision and ensemble lock
  • Sustaining legit vocal tone across a range of articulations
  • Reading and performing syncopated rhythmic patterns
  • Blend and balance between two equal vocal lines
  • Executing bright, focused articulation on short syllables

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