Hear Me O Lord Sheet Music Preview

Hear Me O Lord: String Orchestra Conductor Score & Parts

Arr. Loreta Fin

Grade: 3

Item: 76-PK-0000034

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Description
The use of vibrato and 3rd position are essential in this piece. This piece was inspired by a choral work, using text from the Book of Psalms.

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Additional Details
Series: Wilfin String Orchestra: Young String Ensemble Series
Publisher: Wilfin Music
Page Count: 68
SKU: 76-PK-0000034

More about this title

About the Arranger: Loreta Fin

Loreta Fin

Loreta Fin AM began her musical training at the Sydney Conservatorium of Music and established herself as a first violinist with the Sydney Youth Orchestra. Over decades of performance and chamber music work, she became Principal Viola player with the Queensland Pops Orchestra, a role she has held for more than 25 years while collaborating with internationally recognized artists.

Fin has shaped string education across Australia as Director of Strings at Somerville House School in Brisbane since 1993. She served on the Australian Strings Association committee for over 25 years, including terms as both State and National President, and has composed over 100 works for string orchestra published by Alfred Music worldwide. Her contributions to music education and advocacy earned her the Queensland State Award for services to AUSTA in 2009 and the National Award for Services to Music and String Teaching in Australia. She currently serves as State Advisor for Strings with the Australian Music Examinations Board and regularly conducts the State and National Honours Ensembles Programs in Brisbane.

Why we love this

Fin brings decades of string orchestra experience to this arrangement, crafting a piece that honors its choral origins while remaining idiomatic for young ensembles. The deliberate focus on vibrato and third position creates meaningful technical milestones without overwhelming Grade 3 players, allowing students to feel musicality deepen alongside their technical growth.

What to expect

Reverent and grounded, this piece carries the contemplative quality of sacred music while remaining gentle enough for young players to inhabit expressively. The emphasis on sustained tone and color change creates moments of quiet depth that feel mature beyond the ensemble's level.

Who it's for

Grade 3 string orchestras with players ready to develop vibrato technique and third position fluency will find this arrangement both accessible and purposeful. Conductors seeking sacred repertoire that deepens musicianship without requiring advanced technique will appreciate how Fin uses familiar psalm text to ground student engagement.

How to get the most out of it

  • Introduce vibrato as a gradual, intentional choice rather than constant motion. Mark passages where vibrato should begin and where it should settle into the held notes for sustained effect.
  • Drill third position shifts separately before running full sections. Have students mark their hand position guideposts in the score so shifts become automatic under performance pressure.
  • Balance the arrangement by listening for when the text-inspired melodic line needs breathing space. Give singers (if sung in unison passages) and string leads equal weight in rehearsal priorities.
  • Use the psalm text as an interpretive anchor. Even though students are playing instruments, understanding the spiritual weight of the words shapes their phrasing and dynamic choices.

How to use it

Pair this with other sacred works to create a thematic concert devoted to settings of psalm texts, or place it as a thoughtful close to a program where its introspective character offers contrast to livelier selections. The Grade 3 level makes it accessible for community performance contexts where young musicians benefit from repertoire that feels genuinely meaningful.

Skills your students will build

  • vibrato production and control across the full bow
  • third position shifting and intonation
  • sustaining tone quality during held notes
  • textual interpretation and phrase shaping rooted in sacred language
  • balancing individual technique with ensemble blend in slower tempos

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