He'll Be Coming Down the Chimney Tonight Cover Image

He'll Be Coming Down the Chimney Tonight: 2-Part Choral Octavo

$1.60 USD
Sale price  $1.60 USD Regular price 
Skip to product information
He'll Be Coming Down the Chimney Tonight Cover Image

He'll Be Coming Down the Chimney Tonight: 2-Part Choral Octavo

Words and music by Mary Donnelly and George L. O. Strid

Level: Moderate

Item: 00-SVM04051

$1.60
Shipped

One moment…

Description
Add this remarkable touch of fun to your next holiday concert. The laid-back swing style makes it fun to sing, and the clever lyrics will have your audience laughing in the aisles. Have fun with it!

He'll Be Coming Down the Chimney Tonight: 2-Part Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Alfred Music
UPC: 654979077268
SKU: 00-SVM04051

More about this title

About the Composer: Mary Donnelly

Mary Donnelly

Mary Donnelly grew up in Reno, Nevada, and studied English and French at the University of Nevada before discovering her passion for music education during her undergraduate years. She earned a Master's Degree in Education from Lesley College in Cambridge, Massachusetts, with a focus on arts integration across the curriculum. For three decades, she taught general music and choir in the Washoe County School District, retiring as an active educator and ACDA member.

In 1985, Donnelly began a songwriting partnership with George L. O. Strid when their sixth-grade teaching principal asked them to create a musical for Reading Week. That collaboration launched a prolific career: the two have since composed over two hundred songs and twenty-five full musicals together, establishing themselves as trusted voices in choral and musical theater education.

Why we love this

This piece captures something rare in holiday repertoire: genuine humor that lands with audiences without sacrificing musicality. The swing idiom keeps singers engaged and energized, while the clever text creates natural comedy that doesn't rely on cuteness or condescension. Directors report that students remember this piece months later, and audiences consistently respond with genuine laughter.

What to expect

A wink and a nudge wrapped in a swing groove. The piece radiates holiday cheer with a relaxed, almost irreverent energy that puts audiences at ease while keeping singers smiling throughout rehearsal. There's no pretense here, just straightforward fun delivered with musical style.

Who it's for

This octavo works beautifully for middle school and high school choirs seeking something that engages singers without overwhelming them technically. It's ideal for groups that benefit from accessible, entertaining repertoire that still requires solid musicianship to perform well.

How to get the most out of it

  • Lean into the swing feel by emphasizing the backbeat; this isn't straight eighth notes, so rehearse with a swing shuffle mindset from the start.
  • Let your singers commit fully to the humorous lyrics. The jokes land only when delivered with confidence and playful energy, not apologetically.
  • Use the recorded accompaniment to establish the laid-back groove; let it set the rhythmic pocket for your choir before asking them to lock in.

How to use it

Position this strategically in your holiday concert as a palate cleanser between more serious repertoire or as a closing number that sends the audience home laughing. Its lighter weight makes it ideal for pairing with seasonal pieces that need an energy boost or for a program section built around novelty selections.

Skills your students will build

  • Singing in swing style with syncopated rhythms and a relaxed backbeat feel
  • Interpreting comedic text expressively without sacrificing vocal clarity
  • Balancing humor and musicality in ensemble performance

You May Also Like