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Haven't Met You Yet: Vocal Solo with Jazz Ensemble Conductor Score

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Haven't Met You Yet Cover Image

Haven't Met You Yet: Vocal Solo with Jazz Ensemble Conductor Score

Words and music by Michael Bublé, Alan Chang, and Amy Foster / arr. Scott Ragsdale

Grade: 3 (Medium)

Item: 00-36065S

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Description
The smash hit by Michael Bublé now showcased by your vocal soloist and jazz ensemble. Vocal range is from F below middle C up to third line B and lead trumpet range is to written A above the staff. Audiences are sure to smile when they hear this popular tune.

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Additional Details
Series: Jazz Vocal Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081411446
SKU: 00-36065S

More about this title

About the Composer: Michael Bublé

Michael Bublé is a Canadian singer and composer who emerged in the early 2000s as a leading interpreter of jazz standards and contemporary pop songs. His accessible approach to jazz has introduced millions of listeners to the genre, blending traditional swing sensibilities with modern production and charisma. Bublé's compositions and interpretations have become staples in vocal jazz education, offering accessible entry points for students discovering the genre.

Why we love this

This arrangement captures the infectious charm and rhythmic drive that made the original such a cultural moment, while giving your vocalist and ensemble a genuine crowd-pleaser that doesn't sacrifice musicianship. The Grade 3 level keeps the ensemble writing straightforward enough for developing players while the vocal range and melodic material sit comfortably for singers discovering their jazz sound. Scott Ragsdale's orchestration preserves the song's warmth and humor, making this a rare popular tune that works equally well in concert settings and community events.

What to expect

Upbeat and charming, with a conversational swagger that invites the listener in. The melody bounces with optimism and playfulness, carried along by a swinging rhythm section that feels both contemporary and rooted in jazz tradition.

Who it's for

Vocal jazz ensembles and jazz bands with a strong soloist looking for accessible, high-impact repertoire that engages audiences immediately. Directors seeking to program a recognizable tune that develops both ensemble cohesion and individual vocal artistry will find this especially valuable.

How to get the most out of it

  • Balance the vocal line prominently over the ensemble, especially during the opening phrases where the melody needs to establish the song's conversational tone.
  • Lock the rhythm section (piano, bass, drums) into the swing feel first; their cohesion will anchor the lead trumpet and horn sections.
  • Coach your vocalist to embrace the lyrical storytelling and conversational quality of the melody rather than oversinging; this tune thrives on understatement.
  • Work the trumpet solo section separately with your lead player, ensuring the jazz phrasing and articulation feel natural rather than mechanical.

How to use it

Program this as a closing number on a jazz concert or as the centerpiece of a pops or variety show where you want to leave your audience smiling. It also works beautifully as a showcase for a featured vocalist within a longer jazz ensemble set, giving that student soloist a moment in the spotlight with material they likely know and love.

Skills your students will build

  • Jazz phrasing and interpretation in a contemporary context
  • Swing rhythm coordination between melody and rhythm section
  • Vocal jazz technique including dynamics, legato, and articulation
  • Leading an ensemble as a featured soloist
  • Reading and performing jazz ensemble charts at Grade 3 level

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