Have Yourself a Merry Little Christmas: Choral SoundPax Digital Download
Words and music by Hugh Martin and Ralph Blane / arr. Roberto Rabello
Item: 00-PK-0009601
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About the Composer: Hugh Martin
Hugh Martin composed "Have Yourself a Merry Little Christmas" with lyricist Ralph Blane in 1943 for the film "Meet Me in St. Louis." The song became one of the most recorded holiday standards in American music, covered by everyone from Judy Garland to contemporary artists. Martin's gift for melody and his understanding of vocal writing made him a sought-after composer for stage and screen throughout the mid-twentieth century.
For choral directors, Martin's work represents a master class in singable songwriting. His melodies sit naturally in the voice, his harmonic progressions are sophisticated yet accessible, and his song structures reward both careful arrangement and spirited performance. This arrangement by Roberto Rabello proves that even the most familiar standards can be freshly imagined for modern concert settings.
Why we love this
Rabello's take strips away the sentimentality that clings to this tune in most arrangements and replaces it with genuine rhythmic energy. The syncopated vocal lines feel contemporary without betraying the melody, and the option to add ad-lib holiday greetings gives your choir personality that a straight reading never could. Programming this version signals to your audience that you're not settling for predictable holiday fare.
What to expect
Bright, syncopated, and undeniably festive without veering into schmaltzy territory. The harmonies sparkle, the rhythm section lifts the entire sound, and the buildup to that final chorus creates genuine excitement. This is a holiday arrangement that makes singers want to sing it and audiences want to hear it again.
Who it's for
Choirs seeking a holiday arrangement that breaks from the ballad template and rewards strong rhythmic ensemble work. This works equally well for high school choirs with solid reading skills and community or adult choirs looking for something genuinely fun to perform and learn.
How to get the most out of it
- Lock the syncopation by having your singers internalize the rhythmic pocket first; drill the syncopated sections without the melody so the groove becomes muscle memory rather than something fought against.
- Keep the tempo brisk enough that the energy feels genuinely uplifted, not rushed. This arrangement thrives on forward momentum, so rehearse at performance tempo earlier than you normally would.
- Layer in the ad-lib greetings gradually during rehearsals. Let your singers experiment with natural conversational phrasing rather than over-rehearsing these sections into stiffness.
- If using the SoundTrax or brass and rhythm SoundPax accompaniment, have your choir rehearse with the backing track regularly so they feel anchored by the groove, not fighting it.
How to use it
Open your Christmas concert with this number to immediately establish an upbeat tone, or close the first half with the energy and good spirits it delivers. The modern groove makes it an ideal bridge between a traditional first set and a pop or contemporary second half, showing your choir's range across repertoire and style.
Skills your students will build
- Reading and executing syncopated rhythmic patterns within a choral texture
- Maintaining rhythmic precision while singing over a groove-based accompaniment
- Balancing stylistic demands of tight harmony with conversational ad-libbed sections
- Understanding how arrangement choices reshape familiar material and create new character