Harves (Choral Leaflet) Cover Image

Harves (Choral Leaflet): SATB Choral Octavo

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Harves (Choral Leaflet) Cover Image

Harves (Choral Leaflet): SATB Choral Octavo

Anthem for SATB and Organ

By Judith Bingham

Item: 98-EP71786

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Description
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Anthem for SATB (with divisi) and Organ settings words by Gerard Manley Hopkins (1844—1889), from the poem 'Hurrahing in Harvest'.

Commissioned in celebration of Philip Brunelle's 40th year as Organist-Choirmaster at Plymouth Congregational Church, Minneapolis, Minnesota, USA (dedicated to Carolyn Brunelle, faithful Plymouth Choir member for those 40 years). First performance: November 23rd, 2008, at Plymouth Congregational Church, Minneapolis, Minnesota, USA, by the Church Choir and Philip Brunelle, organist-director.

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Additional Details
Publisher: Edition Peters
Page Count: 16
ISBN10: 0-577-08932-3
ISBN13: 979-0-577-08932-4
UPC: 9790577089324
SKU: 98-EP71786

More about this title

About the Composer: Judith Bingham

Judith Bingham is a British composer whose choral writing combines accessible lyricism with sophisticated harmonic language. Her works for choir and organ have been performed internationally and recorded extensively, reflecting her deep engagement with liturgical and sacred texts.

Why we love this

Bingham sets Hopkins' passionate, densely imagistic poetry with music that honors both the text's spiritual urgency and its linguistic complexity. The organ part is integral to the piece rather than merely supportive, creating a dialogue that makes this work feel genuinely collaborative across both ensembles. For a 40-year celebration commission, it carries genuine depth without sacrificing singability.

What to expect

The piece radiates quiet exultation tempered by reverence. Hopkins' harvest imagery unfolds through Bingham's music with moments of luminous simplicity alternating with richer harmonic textures that feel earned rather than showy.

Who it's for

This octavo serves choirs with strong sight-reading skills and comfort navigating both traditional and contemporary harmonic language. It works equally well for church choirs seeking substantial liturgical repertoire and concert ensembles drawn to poetry-centered sacred music.

How to get the most out of it

  • Shape the opening phrases to mirror Hopkins' sprung rhythm; resist overemphasizing the beat, allowing the words to breathe naturally across the bar lines.
  • Balance the divisi passages carefully so inner voices emerge without drowning out the melodic line; full rehearsal time spent on sectional work pays dividends.
  • Communicate with your organist about the tempo relationships between vocal phrases and organ interludes; the piece works best when both parts feel responsive rather than rigid.

How to use it

Pair this with other seasonal sacred works in a Thanksgiving or autumn program, or program it as a standalone anthem during special observances. Its 16-page length and moderate difficulty make it accessible for choir services without overwhelming rehearsal schedules.

Skills your students will build

  • Reading contemporary harmonic language and chromatic voice-leading
  • Ensemble balance with divisi sections
  • Interpretive phrasing of text-driven modern poetry
  • Collaborative listening with organ accompaniment

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