Hark! The Herald Angels Swing Cover Image

Hark! The Herald Angels Swing: Concert Band Conductor Score & Parts

$70.00 USD
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Hark! The Herald Angels Swing Cover Image

Hark! The Herald Angels Swing: Concert Band Conductor Score & Parts

Arranged by Chris Sharp

Grade: 3

Item: 98-B1562

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Description
This spectacular and unique jazz arrangement pays tribute to the great Dave Brubeck. Showcasing a comfortable multi-meter jazz feel, the music gives a contemporary edge to the classic carol. A wealth of teaching opportunities in a fantastic new setting!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Hark! The Herald Angels Swing: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: FJH Concert Band
Publisher: The FJH Music Company, Inc.
UPC: 674398231850
SKU: 98-B1562

More about this title

About the Composer: Chris Sharp

Chris Sharp

Chris Sharp holds a doctorate in music and has spent decades working at the intersection of professional performance, entertainment, and education. As a trombonist, he logged eleven years as a full-time performer and bandleader at Walt Disney World, then transitioned into arranging and orchestrating for Disney parks worldwide since 1984, crafting music for live shows, recordings, and national broadcasts. His freelance work has reached audiences through Universal Studios, the Boston Pops, Ringling Brothers, and service bands including the USAF Airmen of Note.

Today, Sharp directs bands at Polk State College while teaching theory, technology, and arranging. He has clinicked and guest-conducted extensively, judged for prestigious organizations like Bands of America and Drum Corps International, and earned multiple ASCAPlus awards. His concert and jazz band works appear regularly at major festivals, including the Midwest Clinic.

Why we love this

Sharp captures the sophistication of Dave Brubeck's jazz language while keeping the arrangement accessible for Grade 3 ensembles. The multi-meter foundation gives students genuine exposure to the rhythmic complexity that defines modern jazz without overwhelming them, and the familiar melody grounds the whole experience in something your audience already loves.

What to expect

Cool, contemporary, and playful. The arrangement swings with genuine groove while the familiar carol melody keeps everything warm and singable. You get the best of both worlds: the sophistication of modern jazz harmony alongside the comfort of a cherished holiday tradition.

Who it's for

This works beautifully for ensembles wanting to program something festive that also challenges students musically. Holiday pops concerts often default to straightforward arrangements; this one hands students real jazz vocabulary and metric thinking without sacrificing the joy of the season.

How to get the most out of it

  • Balance the comping figures in the rhythm section so the soloists can breathe; these supporting voices drive the groove but shouldn't overshadow the melody.
  • Let the jazz articulation breathe naturally rather than snap it into a march-like precision. The swing feel lives in the space between notes.
  • Rehearse the meter changes as a section first, then integrate them measure-by-measure into the full band so rhythmic confidence builds gradually.
  • Highlight the trombone and piano voices; they carry the Brubeck DNA throughout and deserve prominence in the final mix.

How to use it

Perfect for a December concert where you want to show growth beyond standard holiday fare. Pair it with a straightforward carol or hymn arrangement on the first half, then open the second half with this to signal that your band plays across styles. It also works as an energetic finale if you're closing with holiday material.

Skills your students will build

  • Reading and performing in mixed meters (common time and swing triplet feel)
  • Jazz articulation and phrasing conventions
  • Comping and rhythmic accompaniment roles in a jazz context
  • Listening for and responding to sectional balance in an ensemble with varied harmonic textures
  • Interpreting a familiar melody within an unfamiliar harmonic language

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