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Hara: Flute Book

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Hara: Flute Book

for Alto Flute Solo

Harvey Sollberger

Item: 98-EP67133

$39.95
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Description
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Additional Details
Publisher: Edition Peters
Page Count: 28
ISBN10: 0-30-073546-4
ISBN13: 979-0-3007-3546-7
SKU: 98-EP67133

More about this title

About the Composer: Harvey Sollberger

Harvey Sollberger is a composer and flutist whose career spans six decades of writing for winds and chamber ensembles. He studied composition at the University of Iowa and went on to establish himself as a distinctive voice in contemporary classical music, with particular attention to the technical and expressive possibilities of the flute.

Sollberger's compositional approach balances structural rigor with lyrical sensibility. His works for flute have become part of the standard contemporary repertoire, valued for their musicality alongside their technical demands.

Why we love this

Sollberger writes for the flute with genuine understanding of both its capabilities and its voice. This book contains pieces that reward serious practice and yield genuine artistic satisfaction on the other side of technical work.

What to expect

Sollberger's flute writing is direct and expressive, avoiding extremes of extended technique in favor of accessible but sophisticated contemporary language. The pieces balance technical interest with genuine lyricism, creating work that feels fresh without demanding the player to abandon traditional flute sound production.

Who it's for

Advanced flute students and experienced players seeking contemporary classical repertoire with substance. This book works well for recital preparation, for study in upper-level applied lessons, and for flutists looking to expand beyond Romantic and early modern repertoire.

How to get the most out of it

  • Study the score carefully before the first read. Sollberger's notation and phrasing choices are intentional and yield interpretive clues about character and flow.
  • Work through rhythmic figures slowly and deliberately. Contemporary flute writing often requires precision in articulation patterns that may feel unfamiliar at first.
  • Consider how dynamics interact with pitch. Sollberger frequently uses dynamic shaping to clarify harmonic or structural points.

How to use it

These pieces fit well into recital programs celebrating contemporary classical music or used to anchor a theme around American composers. The book's scope allows you to select individual pieces for recitals or graduate jury performances where artistic maturity and technical control are priorities.

Skills your students will build

  • Reading and interpreting contemporary classical notation
  • Nuanced dynamic control and shaping
  • Precision in complex rhythmic figures
  • Building interpretive independence with unfamiliar musical language

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