Hanukkah Dances Cover Image

Hanukkah Dances

$49.00 USD
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Hanukkah Dances Cover Image

Hanukkah Dances

Featuring: Hanukkah, Hanukkah / Sivivon / Dreidel / Maoz Tzur

Traditional / arr. Katie O'Hara LaBrie

Grade: 1.5

Item: 00-47426

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Description
Liven up your holiday concert with a medley of four familiar Hanukkah tunes that are perfect for beginning to advanced levels. Everyone gets a chance to play the melody in this exciting arrangement. Technical considerations include optional shifting for 1st violins while cellos work on extensions.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Hanukkah Dances comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Beginning String Orchestra
Publisher: Alfred Music
Page Count: 144
UPC: 038081544649
SKU: 00-47426

More about this title

About the Composer: Katie O'Hara LaBrie

Katie O'Hara LaBrie

Katie O'Hara LaBrie is a cellist, conductor, and composer whose work reflects her deep roots in music education. Based in Northern Virginia, she spent 15 years teaching orchestra in Fairfax County schools before establishing herself as a prolific composer whose pieces regularly earn J.W. Pepper Editor's Choice recognition and performances at major conferences including the Midwest Band and Orchestra Directors Clinic and the American String Teachers Association Conference.

LaBrie earned her Bachelor of Music in Music Education from St. Olaf College and her Master of Music in Instrumental Conducting from George Mason University. Her compositional philosophy centers on creating music that serves educators and delights players: pieces that are technically sound, audience-ready, and genuinely fun to perform. She founded the Fairfax Chamber Players and co-created the Big IDEA practice method, both reflecting her commitment to purposeful music-making. In 2022, Yamaha named her one of their "40 Under 40" honorees for her contributions to music education.

Why we love this

LaBrie understands what makes a holiday arrangement work in the rehearsal room: every section plays melody at some point, keeping engagement high across the ensemble, while the optional technical elements for advanced players prevent boredom. The medley format allows you to drop this into a concert without extensive rehearsal time, yet it holds genuine musical interest rather than settling for a quick filler.

What to expect

Bright and celebratory, with the warmth of familiar melodies that audiences instantly recognize. The medley format gives the piece momentum and variety, moving between the four tunes with the energy of a holiday gathering rather than the formality of a concert hall.

Who it's for

String orchestras from late beginning through intermediate levels preparing a winter concert, particularly those with mixed instrumental proficiency in the first violin section. Directors looking for a festive program piece that honors the holiday while keeping all players engaged and challenged at their own level will find this arrangement especially practical.

How to get the most out of it

  • Highlight the cello extensions as a chance to celebrate your lower strings; when this part is solid, it anchors the entire piece and gives the violas something dependable to follow.
  • Use the optional shifting passages as a preview of repertoire difficulty: if your 1st violins are ready, include it; if not, the arrangement stands perfectly well without it, so don't force technical growth where it isn't welcome.
  • Balance the four tunes so each one feels distinct; resist the urge to rush through transitions, giving the audience a moment to recognize each new melody.

How to use it

This works beautifully as an opener or closer to a winter concert, setting a joyful tone without requiring extended rehearsal investment. It also pairs well with other seasonal repertoire, allowing you to build a meaningful program that acknowledges multiple winter traditions.

Skills your students will build

  • Playing melody in an ensemble context (each section gets a turn)
  • Cello extensions and left-hand position flexibility
  • Optional 1st violin shifting for advanced players
  • Balancing melody and accompaniment across string sections
  • Identifying and executing transitions between contrasting melodies

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