Hansel and Gretel (Haensel und Gretel): Song of the Sandman, Evening Prayer and Dream Pantomime Cover Image

Hansel and Gretel (Haensel und Gretel): Song of the Sandman, Evening Prayer and Dream Pantomime: Light Opera, Orchestra Accompaniment, Full Score

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Hansel and Gretel (Haensel und Gretel): Song of the Sandman, Evening Prayer and Dream Pantomime Cover Image

Hansel and Gretel (Haensel und Gretel): Song of the Sandman, Evening Prayer and Dream Pantomime: Light Opera, Orchestra Accompaniment, Full Score

By Engelbert Humperdinck, Libretto by Adelheid Wette

Item: 36-A159301

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Description
In 1890, Engelbert Humperdinck (1854-1921) wrote an assortment of songs for a play written by Adelheid Wette, his sister, as a gift to her children. Spurred by his friend Richard Strauss, he took some musical ideas from this collection and created HANSEL AND GRETEL (HÄNSEL UND GRETEL), a full-length opera based on the Grimm brothers' fairy tale. Completed in 1893, it received its first performance on December 23, 1893 at the Hoftheater in Weimar under the direction of Strauss. As a result, popular opinion has enduringly identified it with the Christmas season. In Act 2, the two children try to find their way out of a darkening forest and meet the Sandman, who makes them drowsy by placing grains of sand into their eyes. Before they fall asleep, they sing the celebrated Evening Prayer. In the dream pantomime which follows, a host of fourteen angels gather to watch over the slumbering children. Instrumentation: 2+Picc.1+EH.2.2: 4.2.3.1: Timp:Perc(2): Hp: Str (4.4.3.3.3 in set): Vocal Soli (3 roles S S MS).

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Additional Details
Series: Kalmus Opera Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-270641-1
ISBN13: 979-8-89-270641-4
UPC: 660355113994
SKU: 36-A159301
Instrumentation: 2+Picc.1+EH.2.2: 4.2.3.1: Timp:Perc(2): Hp: Str (4.4.3.3.3 in set): Vocal Soli (3 roles S S MS)

More about this title

About the Composer: Engelbert Humperdinck

Engelbert Humperdinck (1854-1921) was a German composer whose operatic works bridged Romantic grandeur and accessible storytelling. Though he composed prolifically across multiple genres, his reputation rests almost entirely on Hansel and Gretel, a work that transformed a children's commission into one of the most performed operas in the world.

Humperdinck studied composition under Nicolai and later worked as a music teacher and conductor across Germany. His friendship with Richard Strauss proved decisive: when Strauss heard early sketches of Hansel and Gretel, he championed the work so enthusiastically that he conducted its premiere. That single endorsement secured Humperdinck's legacy. Today, his opera remains a staple of Christmas programming and a gateway work for audiences discovering operatic music.

Why we love this

This score captures Humperdinck's gift for melodic invention within a carefully orchestrated framework that rewards both ensemble discipline and dramatic expression. The three-part excerpt balances vocal intimacy with orchestral color, giving conductors the chance to build atmospheric tension (the Sandman's arrival), showcase lyricism (the Evening Prayer), and manage complex ensemble coordination (the angel pantomime). It's repertoire that deepens an orchestra's musicianship while remaining genuinely moving for audiences.

What to expect

The music unfolds like a dream itself: intimate and hushed in the Evening Prayer, with warm orchestration that wraps around the singers' voices like a blanket. The Sandman's entrance carries an unsettling gentleness, while the angel pantomime radiates luminous orchestral color, textured with harp and delicate wind writing. Humperdinck's orchestration never overwhelms; instead, it suspends the listener in a state between waking and sleep.

Who it's for

Orchestras seeking substantial excerpts from a beloved opera without committing to a full staged production. Conductors looking to introduce singers to Romantic operatic idiom while maintaining classical orchestral discipline. Ensembles programming holiday concerts or fairy tale-themed concerts who want music with genuine artistic weight.

How to get the most out of it

  • Shape the Sandman's introduction with careful dynamic control and sustained legato in the woodwind accompaniment; the character's drowsy magic depends on orchestral restraint rather than forward momentum.
  • Balance the Evening Prayer as an intimate moment despite orchestral support; the vocal line should breathe naturally while strings provide warm harmonic foundation without washing out the singers' tone quality.
  • Mark clear sectional entries for the angel pantomime to maintain transparency when multiple instrumental lines interact; use rehearsal numbers to anchor the ensemble and prevent the texture from becoming murky.
  • Coordinate timpani and percussion gestures with string articulation during transitions between scenes; the rhythm section anchors each mood shift and must speak with confidence.

How to use it

Program this as a centerpiece for a holiday or family concert, where its familiarity and emotional accessibility draw broader audiences while its orchestral sophistication satisfies musicians. It pairs naturally with other German Romantic operatic selections or can stand alone as a suite that demonstrates how orchestration shapes dramatic storytelling. Consider pairing it with shorter instrumental works from the same era to create a concert that explores Romantic orchestral color.

Skills your students will build

  • Balancing vocal and orchestral lines in operatic textures
  • Sustaining soft dynamics and legato across multiple instrumental sections
  • Coordinating complex transitions between distinct musical scenes
  • Reading and realizing figured bass-influenced harmonic writing
  • Responding to singers' phrasing and breath as orchestral accompanists

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