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Handelian: String Orchestra Conductor Score & Parts

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Handelian Cover Image

Handelian: String Orchestra Conductor Score & Parts

By Shirl Jae Atwell

Grade: 2.5

Item: 36-52250274

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Description
As the title implies, this music is "in the style of" Handel, using the counterpoint in a way that slowly builds intensity to the dramatic finish. Set in the key of E minor, this piece remains well within the reach of orchestras at the medium-easy level players.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Handelian: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-876047-8
ISBN13: 978-1-62-876047-7
UPC: 746241202734
SKU: 36-52250274
Instrumentation: String Orchestra

More about this title

About the Composer: Shirl Jae Atwell

Shirl Jae Atwell

Shirl Jae Atwell studied composition at the University of Louisville, where she earned her Master of Music Theory/Composition degree, and continued advanced work at the University of South Carolina. Her portfolio spans orchestral music, opera, and ballet; she won the 1996 National School Orchestra Association composition contest and the 1997 Texas Orchestra Directors Association contest, both for string orchestra works. Her compositions have been performed by university orchestras and professional ensembles across the country, and six of her scores were inducted into the Paris Bibliothèque Internationale de Musique Contemporaine.

Atwell's string orchestra writing demonstrates a gift for accessible yet sophisticated musical architecture. Her 1992 piece Handelian was premiered by the Jefferson County All-County Middle School Orchestra and has since become a staple of the school orchestra repertoire. She brings genuine knowledge of student ensemble capabilities to her writing, crafting works that challenge without overwhelming.

Why we love this

Atwell captures the baroque sensibility of Handel, the careful voice leading, the architectural clarity, while building genuine dramatic momentum that keeps audiences engaged. The counterpoint never becomes academic or inert; instead, it propels the piece forward to a satisfying climax that validates the medium-easy level of the writing. This is a contest piece with real substance.

What to expect

Handelian unfolds with baroque poise and clarity, its counterpoint creating layers of musical conversation that gradually deepen and intensify. The E minor key gives the work a contemplative quality in its opening sections, but beneath this surface runs a current of building energy that finally breaks into dramatic arrival at the end. It's stately and propulsive at once.

Who it's for

Middle school and early high school string orchestras preparing for festivals and competitions will find a work that respects their developing technical skills while offering a mature musical experience. The Grade 2.5 difficulty keeps the individual parts manageable, but the compositional ambition keeps students engaged in something that feels artistically important.

How to get the most out of it

  • Balance the inner voices as the counterpoint accumulates. The building intensity depends on each line remaining audible, not on volume alone.
  • Shape each melodic phrase through the bow, even in accompanying figures. The baroque style demands articulate, clean attacks.
  • Let the E minor tonality anchor the ensemble's intonation. The key center is stable throughout, so use it as a reference point during rehearsal.
  • Approach the dramatic finish with controlled energy. The climax should feel inevitable, not rushed.

How to use it

This work fits naturally on a festival or competition program where you want to showcase the orchestra's musicianship and technical foundation. Consider pairing it with a contrasting contemporary or romantic piece to highlight the group's range. It's substantial enough to stand as a centerpiece without requiring a full concert around it.

Skills your students will build

  • Balancing independent melodic lines within a contrapuntal texture
  • Maintaining steady pulse while following baroque phrasing conventions
  • Intonation stability in a single key center across longer phrases
  • Dynamic shaping that supports harmonic progression and voice leading
  • Ensemble precision in staggered entries and linear conversations

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