Handel in the Band Cover Image

Handel in the Band: Brass Band Score & Parts

$150.00 USD
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Handel in the Band Cover Image

Handel in the Band: Brass Band Score & Parts

By Kenneth Downie

Item: 12-0571572367

$150.00
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Description
Handel in the Band is a virtuoso set of symphonic variations on one of Handel's best known keyboard dances, the Sarabande from his Suite in D minor, HWV 437, based on the Spanish traditional dance La Folia. Kenneth Downie's work was commissioned by Brass Band Treize Etoiles, for performance at the 2013 Swiss National Brass Band Championships, where it was conducted by James Gourlay. The title is a reference to Percy Grainger's popular Handel in the Strand, and is indicative of the witty and theatrical nature of the music, which is more playful than conventional competition pieces and as such offers different challenges to brass bands as well as being thoroughly entertaining for audiences.

Kenneth Downie is one of the most respected and experienced brass band composers. His music has been widely performed and published throughout the brass band world since the 1960s.

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Additional Details
Series: Faber Edition: Faber Brass Band Series
Publisher: Faber Music
ISBN10: 0-571-57236-7
ISBN13: 978-0-571-57236-6
UPC: 9780571572366
SKU: 12-0571572367
Instrumentation: Brass Band & Percussion

More about this title

About the Composer: Kenneth Downie

Kenneth Downie has shaped brass band music for over six decades as one of the genre's most prolific and respected composers. His works have become standards in the brass band repertoire, performed at championships and concerts worldwide, and his compositional voice balances technical sophistication with genuine musicality.

Why we love this

Downie takes a musical gem from the Baroque and transforms it into a virtuoso showpiece that celebrates both the technical brilliance of brass bands and their capacity for wit and style. Unlike the austere demands of many competition pieces, this work invites playfulness and theatricality while maintaining the craft and substance that championship juries respect.

What to expect

A sophisticated musical conversation that takes a Baroque dance and spins it through a kaleidoscope of moods and textures. The piece is witty and clever without losing substance, theatrical without being frivolous, and genuinely entertaining to watch and hear as the variations unfold and transform the familiar theme.

Who it's for

Brass bands with solid technical control and interpretive maturity. This work demands accurate execution across variations of contrasting styles, strong sectional independence, and the ensemble sensitivity to project character shifts. It rewards bands that can balance precision with personality.

How to get the most out of it

  • Approach the variations with distinct character; each variation should feel like a fresh musical idea rather than a mechanical repetition of the theme. Vary articulation, balance, and expression across the sections to shape the narrative arc.
  • Pay close attention to the percussion writing, which often drives the character of individual variations. Keep percussion and brass voices tightly coordinated so rhythmic figures and accents land with precision.
  • Balance the lighter, more playful passages with controlled ensemble blend in faster variations. The piece's wit comes through when articulation is clean and rhythms are locked, not when dynamics are pushed to extremes.
  • Lean into the Grainger reference by allowing the music to breathe naturally. Avoid a metronomic approach; rubato and flexibility in phrasing, especially in variations that evoke dance or song, will enhance the theatrical flavor.

How to use it

Program this as a contest piece where the adjudicators and audience alike appreciate compositional craft and musicianship beyond sheer power. It also serves as an excellent feature for a concert celebrating the breadth of brass band writing or as a bridge between classical and contemporary repertoire, showing how Baroque material remains vital through fresh arrangement and orchestration.

Skills your students will build

  • Stylistic contrast across multiple variations
  • Ensemble blend and balance within varied textures
  • Rhythmic precision in syncopated and complex meters
  • Musical interpretation and phrasing beyond the printed note
  • Coordination between brass choirs and percussion sections
  • Articulation clarity across quick passage work

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