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Hand Drums for Beginners: Drum Book & CD

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Hand Drums for Beginners Cover Image

Hand Drums for Beginners: Drum Book & CD

An Easy Beginning Method

By John Marshall

Item: 00-19328

$18.50
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Description
Learn to play rhythms from all over the world on the djembe, conga, pandeiro, dumbek, frame drum, and riq. After introducing the various families of drums and basic drum notation, the author takes you through each instrument from how to hold it to playing appropriate world rhythms. You'll learn about Nigerian Frekoba, West-African Djoli, the Latin clave and Samba, Moroccan folk rhythms, Arabic Dawr Hindy, and much more! 48 pages.

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Sample Pages

Sample Audio
1 Bodhran Drum Solo --:--
2 Nigerian Frekoba --:--
3 Soft Masmoudi --:--

Bodhran Drum Solo

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Sample Video
Additional Details
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-0324-0
ISBN13: 978-0-7390-0324-4
UPC: 038081177656
SKU: 00-19328

More about this title

Why we love this

This book opens percussion students to rhythmic traditions they won't find in standard band or orchestra curricula. Marshall's approach of moving from instrument mechanics straight into culturally rooted repertoire means students aren't drilling abstract exercises; they're learning rhythm as it's actually played across West Africa, the Arab world, Latin America, and beyond. The included CD grounds these rhythms in sound rather than leaving them as notation on a page.

What to expect

Tactile and exploratory. You'll feel the physical differences as you move from the sharp, high-pitched tones of a djembe to the resonant bass of a conga or the delicate shimmer of a riq. Each tradition carries its own character: the driving pulse of Samba, the intricate layering of West African polyrhythms, the ornamental complexity of Arabic rhythms.

Who it's for

Percussionists in band or orchestra programs who want to expand beyond Western instruments, world music ensembles, and private students exploring hand drums for the first time. This book assumes no prior percussion experience and no familiarity with the instruments themselves.

How to get the most out of it

  • Study the recorded accompaniments first before reading notation. Your ear needs to know where the pulse sits in each rhythm before your hands find the pattern.
  • Practice hand positioning and grip separately from the rhythms themselves. Fatigue or tension in how you're holding the drum will limit everything that follows.
  • Start with one rhythm per session rather than jumping between instruments. Muscle memory for djembe technique won't transfer directly to conga or dumbek.
  • Listen to full recordings of each tradition outside this book. Marshall's rhythms are accurate, but they live inside larger musical contexts that the CD can only suggest.

How to use it

Assign sections of this book to percussionists during a unit on world music or non-Western performance practices. You might have one student become the expert on djembe rhythms while another takes conga, then have them collaborate on a simple ensemble piece. The 48-page format works well as a supplementary text alongside your main curriculum rather than a complete method.

Skills your students will build

  • Hand drum grip and striking techniques for six different percussion instruments
  • Reading and interpreting world rhythmic notation systems
  • Playing culturally specific rhythmic patterns (Nigerian Frekoba, West African Djoli, Latin clave, Samba, Moroccan folk, Arabic Dawr Hindy)
  • Identifying and responding to pulse in polyrhythmic contexts
  • Understanding percussion instrument families and their sonic properties
  • Coordinating hand independence across different drum techniques

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