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Halloween at the Symphony: Full Orchestra Conductor Score & Parts

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Halloween at the Symphony Cover Image

Halloween at the Symphony: Full Orchestra Conductor Score & Parts

Featuring Toccata in D Minor, Totentanz, In the Hall of the Mountain King, Night on the Bare Mountain, and Danse Macabre

Arranged by Douglas E. Wagner

Grade: 2.5

Item: 00-51712

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Description
From the eerie opening notes of J.S. Bach to the rattling bones of Saint-Saëns, this medley weaves together five of classical music's most haunting themes. Halloween at the Symphony, arranged by Douglas E. Wagner, brings these spine-chilling melodies to life in a setting designed for developing players. Fully adaptable for full orchestra or strings alone, this crowd-pleasing selection is sure to set the perfect mood for a spooky celebration. (3:30)

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Additional Details
Series: Belwin Intermediate Full Orchestra
Publisher: Alfred Music
ISBN10: 1-4706-7363-0
ISBN13: 978-1-4706-7363-5
UPC: 038081595832
SKU: 00-51712

More about this title

About the Arranger: Douglas E. Wagner

Douglas E. Wagner

Douglas E. Wagner grew up in Chicago and studied music at Butler University, earning both undergraduate and graduate degrees. He spent three decades in high school music education and administration before committing fully to composition and arranging in the 1970s.

Wagner has since become one of the most prolific composers in American music education, with over 3,500 published titles spanning choral, band, orchestra, handbell, organ, piano, and vocal genres. His arrangements and original works have reached well over seventeen million musicians worldwide, earning performances on concert stages, broadcasts, and radio programs across the United States and internationally. He currently lives in Indianapolis with his wife, Sandy.

Why we love this

Wagner's gift for adaptability shines here. He takes five iconic classical themes and stitches them into a cohesive medley that works equally well for full orchestra or strings alone, letting you program smartly around what instruments show up on rehearsal day. The Grade 2.5 setting respects developing players while keeping the spooky atmosphere intact, so students actually feel the drama they're playing rather than drowning in technical demands.

What to expect

Spine-tingling yet playful. Wagner pulls from classical staples that conjure genuine spookiness—Bach's dark harmonic language, Saint-Saëns' skeletal rhythms—but the Grade 2.5 orchestration keeps things bright enough that younger players can enjoy the mood they're creating rather than struggle through it. It's Halloween fun without being campy.

Who it's for

Developing full orchestras ready to tackle a medley that respects their technical level while delivering theatrical impact. Directors programming Halloween concerts or fall festivals will find this accessible enough for emerging players yet engaging enough to hold an audience.

How to get the most out of it

  • Balance the eerie opening notes from Bach by keeping the upper strings transparent; let the low strings anchor the foundation without overwhelming the melody line.
  • Shape each thematic transition deliberately. These are recognizable melodies, so slight tempo adjustments and dynamic swells between sections will enhance the medley's narrative arc.
  • Use the 3:30 runtime to rehearse with a clear sight line to the end. Break the piece into its five distinct sections and lock entrances during your sectional rehearsals before combining the full score.
  • Commit to the rattling bones texture in the Saint-Saëns section. Those rhythmic articulations need precision and unity across your orchestra to create the visceral effect Wagner intended.

How to use it

Open a fall concert with this medley to set an atmospheric tone before shifting to other repertoire, or use it as a finale to a Halloween-themed concert program. The versatility between full orchestra and strings-only versions means you can slot it into almost any rehearsal calendar without scrambling for instrumentation.

Skills your students will build

  • Phrasing and shaping within a medley structure
  • Balancing multiple melodic lines in full orchestral texture
  • Articulation precision (particularly in rhythmic, percussive passages)
  • Adapting to thematic transitions and tempo relationships across five distinct sections
  • Reading and responding to conductor cues in a programmatic arrangement

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