Hairspray Jam Cover Image

Hairspray Jam: Marching Band Conductor Score

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Hairspray Jam Cover Image

Hairspray Jam: Marching Band Conductor Score

Arr. Victor López

Grade: 3 (Medium)

Item: 00-29524S

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Description
One of the hottest movies of 2007 was Hairspray. Victor López has taken two of the best songs from this film and arranged them as individual charts. Included are "Ladies' Choice" and "Come So Far (Got So Far To Go)." (2:05)

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Additional Details
Series: Mega Sounds for Marching Band
Publisher: Alfred Music
UPC: 038081319575
SKU: 00-29524S

More about this title

About the Arranger: Victor López

Victor López is an arranger and composer whose work for marching ensembles has become a staple in the activity. Known for his skill in adapting popular music and film scores for the marching band idiom, López understands how to preserve the energy and character of a song while writing idiomatic parts across the full instrumentation. His arrangements in the Mega Sounds series reflect his ability to balance accessibility with musicality, making contemporary repertoire engaging for bands at the middle grades.

Why we love this

These two Hairspray selections give your band immediate access to music that connects with audiences and engages students who know and love the film. López's arrangements capture the infectious energy of both songs while keeping the parts manageable for Grade 3 ensembles, so you get full musical value without compromises on playability.

What to expect

Upbeat and theatrical, with the infectious rhythmic drive that made Hairspray such a hit. Both selections pulse with energy and optimism, inviting the band to play with joy and clarity.

Who it's for

Marching bands at the Grade 3 level seeking pop repertoire that works for concert settings and outdoor performances alike. This score is ideal for directors who want to program contemporary movie music that students recognize and audiences enjoy.

How to get the most out of it

  • Keep the rhythm section locked and energetic throughout; these songs thrive on a steady, confident groove, especially in the rhythmic figures that drive the arrangements.
  • Balance the melodic lines between sections so no single part overwhelms the texture. López writes good internal balance, but clear ensemble listening is essential.
  • Treat dynamics expressively rather than literally. The contrasts between verses and choruses should feel organic, building momentum naturally rather than jumping abruptly.

How to use it

These two selections work as a themed pairing in a single concert, or you might use one as a crowd-pleasing closer that bridges the gap between traditional marching band fare and what your students actually want to play. The pop-friendly material also makes them strong candidates for community performances or pep band settings.

Skills your students will build

  • Playing syncopated rhythmic figures with precision and groove
  • Balancing melody and accompaniment across the full ensemble
  • Responding to dynamic and expressive contrast in popular music idioms
  • Executing the transitions and sectional form of contemporary song structures

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