Hail to the Girls of Canada Cover Image

Hail to the Girls of Canada: Interchangeable Woodwind Ensemble Score & Parts

$25.00 USD
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Hail to the Girls of Canada Cover Image

Hail to the Girls of Canada: Interchangeable Woodwind Ensemble Score & Parts

Vive La Canadienne

Canadian Folk Song / arr. David Marlatt

Level: Easy

Item: 81-WWE224226

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Description
This fun and energetic French-Canadian folk song was popular in Quebec in the 19th century and serves as a toast, by the oarsmen, to the Canadian girl. David Marlatt's arrangement of Hail to the Girls of Canada is part of a collection for young musicians celebrating Canada's 150th anniversary since joining Confederation. (2:05)

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77893-030-1
ISBN13: 978-1-77893-030-0
UPC: 685462030316
SKU: 81-WWE224226
Instrumentation: Interchangeable Woodwind Ensemble

More about this title

Why we love this

Marlatt's arrangement captures the spirited character of this Quebec folk tradition while keeping the writing accessible enough for developing ensembles. The flexible instrumentation means you're not locked into a specific combination; you can pull together whoever you have on the stand. It's the kind of piece that gets genuine energy from young musicians because the melody is memorable and the arrangement respects what makes the song fun in the first place.

What to expect

A rollicking, unpretentious celebration rooted in 19th-century Quebec boatmen culture. The melody has the directness of folk song while the arrangement adds just enough color to keep ensemble players engaged throughout.

Who it's for

Young woodwind ensembles and flex ensembles that want to tackle Canadian repertoire with immediate musical payoff. This works equally well as a standalone piece or as part of a program celebrating Canadian music and history.

How to get the most out of it

  • Bring clarity to the articulation throughout. The folk character depends on crisp, light tonguing that keeps the melody bouncing rather than smooth and legato.
  • Balance the obbligato lines against the melody so the supporting parts add texture without obscuring the tune. This matters especially if you're mixing different woodwind doublings.
  • Keep the tempo brisk enough that the 2:05 duration doesn't drag, but controlled enough that intonation stays secure across the flexible instrumentation.

How to use it

Pair this with other arrangements from Marlatt's Canada 150 collection for a thematic concert block, or use it as a concert opener when you need something that engages the audience immediately. Its relatively short duration makes it an ideal addition to contest or festival programs.

Skills your students will build

  • Flexible instrumentation and transposition (balancing different woodwinds in the same line)
  • Articulation control in a fast-moving folk melody
  • Intonation adjustment across mixed woodwind doublings
  • Stylistic awareness of French-Canadian folk character

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