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Gustav Holst Band Classics: Concert Band Conductor Score

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Gustav Holst Band Classics Cover Image

Gustav Holst Band Classics: Concert Band Conductor Score

Featuring: Intermezzo (First Suite in E-flat) / Song Without Words: "I'll Love My Love" (Second Suite in F) / March (A Moorside Suite)

By Gustav Holst / arr. Geoffrey Edwards

Grade: 1 (Very Easy)

Item: 00-47382S

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Description
The rich Holst concert band heritage is presented for your beginners with three cherished themes from both his military band suites and the march from A Moorside Suite. Enhanced with teaching opportunities to reinforce articulations and shifting tempo, as well as a stunning through-played setting. (2:15)

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Additional Details
Series: Belwin Beginning Band
Publisher: Alfred Music
Page Count: 16
UPC: 038081542072
SKU: 00-47382S

More about this title

About the Composer: Gustav Holst

Gustav Holst (1874-1934) fundamentally shaped the British concert and military band tradition through his bold orchestrations and gift for memorable melodic writing. His military band suites, particularly the First and Second Suites in E-flat, became cornerstones of the repertoire and remain essential training grounds for young ensemble musicians.

Holst's approach to band writing emphasized clarity of texture and accessibility without sacrificing musical substance. His influence extends far beyond his own era; contemporary arrangers continue to draw on his melodic material and compositional principles when creating engaging works for developing ensembles.

Why we love this

This collection introduces your young band to Holst's unmistakable melodic gift through three distinct musical moments, each offering different pedagogical angles. Geoffrey Edwards's arrangement respects the original material while building in clear teaching moments around articulation and tempo changes, making it an efficient use of rehearsal time that doesn't feel didactic. The through-played setting means your band experiences a complete musical arc, not isolated excerpts.

What to expect

Holst's melodies carry a timeless English character, warm and direct without pretense. The march section has ceremonial dignity, while the suite themes offer singing lines that reward careful phrasing even at this early level, creating a satisfying sense of musical accomplishment.

Who it's for

Grade 1 concert bands beginning their exploration of standard repertoire, particularly those ready to move beyond isolated exercises into recognizable musical works. Directors seeking material that combines historical significance with genuine accessibility will find this score bridges the gap between technique-building and real musicianship.

How to get the most out of it

  • Shape the phrasing around Holst's naturally lyrical melodic contours rather than breaking them into small segments; his lines sing across bar lines and phrase boundaries.
  • Mark the tempo shifts in your score during a preparation rehearsal so transitions feel intentional and conducted, not stumbled into.
  • Balance the articulation changes as markers of musical character rather than technical obstacles; when articulation shifts, the mood shifts with it.
  • Use the full ensemble strength in the march section to convey the ceremonial confidence Holst built into this material.

How to use it

This works beautifully as a concert opener or closer for early-season performances, establishing your ensemble's connection to foundational band literature. It's equally effective for festival entries at the Grade 1 level, where judges recognize both the composers' heritage and the arranger's pedagogical clarity. Consider pairing it with a contemporary work to show stylistic range.

Skills your students will build

  • Articulation clarity and its role in shaping phrasing
  • Tempo flexibility and conducting cues across style changes
  • Sustained melodic playing with consistent tone quality
  • Reading and responding to dynamic contrasts
  • Sectional balance in a full ensemble texture

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