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Guitar Works of Agustín Barrios Mangoré, Vol. I: Guitar Book

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Guitar Works of Agustín Barrios Mangoré, Vol. I Cover Image

Guitar Works of Agustín Barrios Mangoré, Vol. I: Guitar Book

Agustín Barrios Mangoré / ed. Richard Stover

Item: 00-EL02602

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A comprehensive publication of the works of Agustín Barrios Mangoré, the first guitarist/composer from the New World of truly universal importance. These volumes are designed for the performer, student and teacher. Volume I has 21 pieces, including: El Sueño de la Munequita * Oracion por Todos * Danza Guarani.

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Additional Details
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-0971-8
ISBN13: 978-0-7692-0971-5
UPC: 029156067927
SKU: 00-EL02602

More about this title

About the Composer: Agustín Barrios Mangoré

Agustín Barrios Mangoré (1885-1944) was a Paraguayan guitarist and composer who elevated the classical guitar to concert hall status during an era when the instrument struggled for recognition in serious musical circles. A virtuoso performer and prolific composer, Barrios created a body of work that synthesized European romantic traditions with the musical idioms of South America, establishing himself as the first guitarist-composer from the Americas whose legacy achieved lasting international significance.

Barrios's compositional voice ranged from intimate lyrical pieces to technically demanding concert works, all conceived with an intimate understanding of the guitar's capabilities. His music remains central to the classical guitar repertoire, performed by professionals and studied by serious students worldwide, and continues to serve as a bridge between the European classical tradition and Latin American musical identity.

Why we love this

This collection gives you access to the foundational repertoire of classical guitar at a single source, eliminating the need to hunt through multiple editions. The 21 pieces in this volume span a range of technical demands and musical styles, making it equally valuable as a performer's reference and a teaching anthology from which you can draw repertoire suited to different student levels and performance contexts.

What to expect

The music spans from intimate and introspective (El Sueño de la Munequita's dreamlike quality) to rhythmically vibrant and folk-inflected (the driving pulse of Danza Guarani). Throughout, there is a unmistakable romantic sensibility paired with the warmth and resonance characteristic of Latin American guitar idiom.

Who it's for

This book serves classical guitarists at the intermediate to advanced level, including conservatory students, private lesson pupils pursuing serious repertoire study, and performers building a concert program. Teachers will find it invaluable for identifying pieces that match their students' technical development while introducing them to essential repertoire.

How to get the most out of it

  • Approach the melodic lines with vocal phrasing in mind; Barrios composed these pieces with the singing quality of the guitar voice at the forefront, so shape phrases as you would a vocal line rather than treating them as purely technical passages.
  • Balance the texture carefully when Barrios writes accompanying figures beneath the melody; maintain clarity of the principal voice while keeping accompaniment economical and transparent.
  • Pay attention to the historical context of these pieces when interpreting tempo and rubato; Barrios's romantic sensibility often benefits from tasteful flexibility rather than metronomic rigidity.
  • Explore the unique sonorities available on classical guitar for the pieces with Latin American character; the rasgueado and other traditional techniques are integral to the authentic voice of works like Danza Guarani.

How to use it

Program individual pieces as recital selections at any point in your season; the variety of styles and technical demands means you can choose work suited to the specific program theme or concert context. This volume also serves as a stable reference for guitarists building a classical repertoire core, allowing you to return repeatedly to these essential works as interpretive depth grows.

Skills your students will build

  • Romantic phrasing and vocal rubato at the guitar
  • Accompanying figurations that sit beneath melodic lines
  • Latin American rhythmic and tonal idioms (rasgueado, traditional patterns)
  • Right-hand tone production and balance between melody and accompaniment
  • Interpretation of early-to-mid 20th-century classical guitar composition

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