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Groovy Vamp: Brass Quintet Score & Parts

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Groovy Vamp Cover Image

Groovy Vamp: Brass Quintet Score & Parts

By David Marlatt

Level: Medium

Item: 81-BQ27261

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Description
This tune is a fun piece for brass quintet and optional high hat built upon simple jazz backgrounds gradually layering more and more voices. It is not too difficult and would require a minimum of rehearsal to put together. Groovy Vamp can be performed with or without percussion and a full drumset could also be used rather than just a high hat.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-425-2
ISBN13: 978-1-55472-425-3
UPC: 685462002924
SKU: 81-BQ27261
Instrumentation: Brass Quintet (Opt. Percussion)

More about this title

Why we love this

Marlatt builds this piece on a foundation that lets ensemble members understand how jazz textures layer and develop without requiring years of swing experience. The scoring moves deliberately from sparse to full, giving brass players a chance to lock into a groove while adding independence one section at a time—a satisfying pedagogical arc that also makes for engaging rehearsals.

What to expect

Groovy Vamp captures that satisfying moment when a rhythm locks in and individual voices start trading over it—warm, conversational, and built on repetition that feels hypnotic rather than static. The piece has a casual confidence, like a group that knows the room and invites the listener into their groove.

Who it's for

Brass quintets at the high school or early college level who want an accessible entry into jazz performance without extensive improvisation or complex harmonic language. This works especially well for ensembles balancing classical fundamentals with contemporary music styles.

How to get the most out of it

  • Establish the vamp in the rhythm section first. Have the optional percussion and tuba work through their figures before adding upper voices, so the ensemble can feel where the pocket sits.
  • Keep articulations uniform across the quintet during ensemble hits. Mark any staccato or legato passages consistently in parts so attacks feel synchronized.
  • Balance the added voices as they enter. Each layer should be audible but not disruptive to the established groove; encourage new arrivals to play slightly under the established parts.
  • If using optional percussion, agree beforehand on dynamics and cymbal texture so the addition enhances rather than overwhelms the brass colors.

How to use it

Program this on a concert pairing classical and contemporary brass music, or use it as an intermission closer to shift energy and mood. It also works as a strong festival or competition selection for ensembles seeking manageable difficulty with modern appeal.

Skills your students will build

  • Swing articulation and phrasing in a jazz context
  • Listening and blend when entering layered textures
  • Rhythmic precision over a repeated harmonic background
  • Independence and confidence in ensemble jazz settings
  • Stylistic adaptation from classical to groove-based performance

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