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Grooved Pavement: Jazz Ensemble Conductor Score & Parts

$48.00 USD
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Grooved Pavement: Jazz Ensemble Conductor Score & Parts

By Victor López

Item: 00-26871

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Description
With a funky riff and strong backbeat, this chart is a groove to play. Victor López wrote a repetitive two-measure break that is the focus of this chart along with solo space for alto sax, trumpet and trombone. Lead trumpet range is to written A-flat above the staff. Lots of unison and a building interlude will set this chart apart. Funky and fun. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Grooved Pavement: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Young Jazz Ensemble
Publisher: Alfred Music
Page Count: 96
UPC: 038081303604
SKU: 00-26871

More about this title

About the Composer: Victor López

Victor López is a composer and arranger whose work spans classical, wind band, and jazz idioms. His catalog includes pieces for concert band, orchestra, and jazz ensemble, with a particular gift for writing accessible yet sophisticated charts that engage young musicians while maintaining musical integrity.

Why we love this

López builds this chart on a single, infectious two-measure riff that locks the ensemble together and gives students something concrete to execute. The unison passages and strategic solo breaks create natural narrative momentum, and the lead trumpet line pushes players just enough to feel accomplished without demanding virtuosity.

What to expect

Funky, approachable, and undeniably fun. The repetitive riff catches the ear immediately and invites the ensemble to settle into a pocket. Energy builds steadily through the interlude, creating a satisfying arc from laid-back groove to driving momentum.

Who it's for

Jazz ensemble directors working with intermediate players who need a confident, groovy vehicle that sounds more advanced than it reads. Soloists benefit from the clear framework, and the unison sections give less experienced players a chance to lock in with the section.

How to get the most out of it

  • Lock the rhythm section into the two-measure break from the start of rehearsals. Precision here makes everything else groove.
  • Balance the funky backbeat against the horn lines so the rhythm feels supportive, not buried.
  • Prepare soloists (alto sax, trumpet, trombone) with clear changes and comping cues. Mark entry points and chorus lengths in parts before the first full run-through.
  • Shape the building interlude with dynamic control. Let it grow organically rather than jumping to full volume immediately.

How to use it

Program this as a set piece in a jazz concert, pairing it with a ballad or up-tempo swinger to showcase the ensemble's range. It also works as a high-energy closer for a shorter jazz set, leaving the audience energized and the band feeling like they nailed something genuinely groovy.

Skills your students will build

  • Locking into a groove and maintaining a steady pocket
  • Balancing ensemble unison lines with rhythmic precision
  • Trading solo space and managing chorus counts
  • Building dynamic shape across extended sections
  • Comping and supporting soloists within a jazz context

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