Gretchaninoff: Five Little Pieces, Op. 3: Piano Book
By Alexander Gretchaninoff
Item: 00-PK-0002776
$6.99
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Gretchaninoff: Five Little Pieces, Op. 3 | $0.99 | |
| Gretchaninoff: Five Little Pieces, Op. 3 | $0.99 | |
| Gretchaninoff: Five Little Pieces, Op. 3 | $0.99 | |
| Gretchaninoff: Five Little Pieces, Op. 3 | $0.99 | |
| Gretchaninoff: Five Little Pieces, Op. 3 | $0.99 |
Parts Added to Cart!
Related Items
Five Little Pieces, Opus 3: Piano Book |
$6.99
|
View |
Description
A newly-engraved edition of the familiar Gretchaninoff Five Little Pieces for piano solo. The intermediate level pieces are often and currently found on numerous performance lists from various piano organizations. This collection includes a short biography of the composer. Titles: Plaint * Meditiation * Chant D'Automne * Orage * Nocturne.
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Gretchaninoff: Five Little Pieces, Op. 3: Piano Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
Open in the Player
Jump straight in and assign it today.
Start Your Free Trial
Open this title and explore the full library in minutes.
Sample Audio
No sample audio found.
Sample Video
No sample videos found.
Additional Details
Series:
Kalmus Edition
Publisher:
Alfred Music
Page Count:
20
SKU:
00-PK-0002776
More about this title
About the Composer: Alexander Gretchaninoff
Alexander Gretchaninoff (1864, 1956) was a Russian composer whose prolific output spanned classical forms, sacred music, and pedagogical works for young musicians. He studied at the Moscow Conservatory and later in Berlin, absorbing both Russian nationalist traditions and European Romantic aesthetics. His gift for writing accessible yet musically substantial pieces made him a natural fit for music education; teachers recognized immediately that his works challenged students without frustrating them.
Great as a symphonist and opera composer, Gretchaninoff earned lasting respect through his chamber music and piano collections. The Five Little Pieces remain staples on performance festival lists because they balance technical development with genuine musical voice. His understanding of what intermediate pianists could achieve resulted in works that students enjoy playing and audiences enjoy hearing.
Why we love this
These five pieces earn their place on performance lists year after year because they hit the intermediate sweet spot perfectly: each one teaches something real about tone, phrasing, and harmonic color without demanding virtuosity. Gretchaninoff writes musically from the first measure, so students are never bored, and the variety across the collection gives you genuine programming flexibility for recitals or competitions.
What to expect
The five pieces move through contrasting emotional landscapes: introspective and plaintive moods alternate with autumn imagery, stormy drama, and nighttime reflection. Gretchaninoff's writing consistently favors lyrical melody and warm harmonic color, creating an overall sense of Romantic nostalgia that feels both intimate and substantial.
Who it's for
Intermediate pianists preparing repertoire for recitals, competitions, or festival performances will find these pieces immediately rewarding to learn and perform. Teachers seeking concert-quality material that bridges Romantic sensibility with early 20th-century language without excessive technical demands will return to this collection repeatedly.
How to get the most out of it
- Shape each phrase as a complete musical thought rather than a collection of notes, paying particular attention to how Gretchaninoff leads into and away from cadential moments.
- Use the sustain pedal deliberately to color harmonic changes and create atmosphere, but change it cleanly to avoid muddiness in the faster or more rhythmically active sections.
- Approach the Romantic harmonies with sensitivity to voice leading; many of the most beautiful moments come from how the inner voices move, not just the melody.
How to use it
Program one or two pieces individually on student recitals, or use the entire collection as a thematic unit exploring mood and character variation. The diversity of the five pieces makes them excellent for student competitions where you need to demonstrate range and musicianship without requiring a full concerto or sonata.
Skills your students will build
- Sustain pedal control and harmonic color awareness
- Phrasing and shaping across complete musical sentences
- Voice leading and inner-part awareness in Romantic harmonic progressions
- Interpretive choices in tempo rubato and expressive timing
- Concert-level tone production and legato technique