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Great Preludes for Solo Piano: Piano Book

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Great Preludes for Solo Piano Cover Image

Great Preludes for Solo Piano: Piano Book

Ed. David Dutkanicz

Item: 06-449556

$16.95
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Description
The prelude has long been a favorite form for composers to work in, whether as introductions to fugues or as independent concert pieces. This unique collection offers a wide survey of famous preludes, from works by John Bull and Orlando Gibbons to those of Ravel and Rachmaninoff, plus examples of all styles in between.

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Additional Details
Series: Dover Edition
Publisher: Dover Publications
ISBN10: 0-486-44955-6
ISBN13: 978-0-486-44955-5
UPC: 9780486449555
SKU: 06-449556

More about this title

Why we love this

This collection respects the prelude as a serious form rather than treating it as mere warm-up material. You get genuine stylistic range across four centuries, which means students encounter everything from Baroque keyboard writing to twentieth-century impressionism in a single book.

What to expect

You move through different musical worlds with each turn of the page. One moment you're navigating the intricate counterpoint of Renaissance keyboard writing; the next you're floating through impressionistic harmonies or wrestling with the angular thinking of modernist composers. The prelude form itself becomes the through-line, proving its flexibility and enduring appeal.

Who it's for

Advanced intermediate and advanced students who are ready to engage with canonical repertoire across multiple style periods. Teachers building a recital program or constructing a curriculum that tracks the evolution of keyboard music will find this essential.

How to get the most out of it

  • Approach the Baroque preludes as keyboard studies first. The voice leading and hand independence matter more than sheer speed.
  • Let the Romantic and modern pieces breathe between phrases. Resist the urge to push through; these composers built in silence.
  • Record yourself playing different pieces back-to-back. You'll hear how dramatically the prelude form changes across centuries and can adjust your interpretation accordingly.

How to use it

Feature a single prelude as an opening concert gesture, then pair contrasting examples in a recital program that tracks musical history. Alternatively, assign one prelude per week throughout a semester as a sight-reading and interpretation project that gradually builds technical and stylistic awareness.

Skills your students will build

  • Baroque counterpoint and voice leading in keyboard textures
  • Interpretation of Romantic-era pedaling and rubato
  • Twentieth-century harmonic language and dissonance
  • Musical form recognition across style periods
  • Sight-reading at intermediate to advanced levels

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