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Great Balls of Fire: SAB Choral Octavo

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Great Balls of Fire Cover Image

Great Balls of Fire: SAB Choral Octavo

Words and music by Otis Blackwell and Jack Hammer / arr. Greg Gilpin

Item: 00-31032

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Goodness, gracious, this one is hot! It's classic rock and roll, full of excitement and fun times. Don't miss this quick-learn arrangement.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
UPC: 038081338040
SKU: 00-31032

More about this title

About the Composer: Otis Blackwell

Otis Blackwell (1931-2002) was a prolific songwriter and performer who shaped rock and roll through his distinctive songwriting voice. Though often working behind the scenes, Blackwell penned some of the genre's most enduring hits, including "Great Balls of Fire," "Return to Sender," and "Don't Be Cruel." His ability to craft memorable melodies with infectious rhythms made him a sought-after composer for artists across multiple genres.

Blackwell's influence on popular music extends beyond individual songs; his compositional style helped define the energy and swagger of early rock and roll. For music educators, his catalog offers authentic period repertoire that engages students through genuine excitement rather than nostalgia.

Why we love this

Greg Gilpin's arrangement captures the raw vitality of the original without sacrificing the three-part texture. The piece moves quickly through its eight pages, making it ideal for groups that need an exciting selection without extensive rehearsal time, yet it demands genuine musicianship in its rhythmic precision and voice independence.

What to expect

Pure rock and roll energy. The piece pulses with the swagger and sass of the original, with voices propelling forward over a driving groove. You're not asking singers to perform a classical arrangement of a rock song; you're inviting them into the genuine spirit of the genre.

Who it's for

SAB choirs at the high school or community level looking for contemporary repertoire that connects with modern audiences. This works equally well for directors seeking a fun, high-energy piece that requires solid musicianship without extended preparation time.

How to get the most out of it

  • Drive the eighth-note rhythms with consistent pulse. SAB voicing here depends on the rhythm section locking in together; any wavering in the accompaniment throws everything off.
  • Bring aggression to the upper voices during the shouted sections. These moments should feel spontaneous and energetic, not restrained.
  • Balance text clarity with the rock groove. Diction matters in the busy passages, but don't let articulation slow the forward momentum.
  • Use the recorded accompaniment in rehearsal to establish tempo and feel early. This arrangement thrives on the groove, not on voices carrying the rhythm.

How to use it

Program this as an opener or closer on a concert that includes other contemporary pieces, or pair it with additional pop arrangements to create a modern segment that showcases your choir's versatility. The piece's brevity and high-impact character make it perfect for pops concerts, spring musicals, or any programming context where you need immediate audience engagement.

Skills your students will build

  • Maintaining rhythmic independence in SAB voicing while syncing with a groove-based accompaniment
  • Executing articulation and text clarity in rapid, syncopated passages
  • Building ensemble cohesion through rhythmic precision rather than lyrical phrasing
  • Connecting to authentic popular music styles through compositional arrangement

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