Grandma's Feather Bed Cover Image

Grandma's Feather Bed: 2-Part Choral Octavo

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Grandma's Feather Bed Cover Image

Grandma's Feather Bed: 2-Part Choral Octavo

Words and music by Jim Connor / arr. Sally K. Albrecht

Item: 00-32913

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Description
Yee-Haw! The best darn thing about this arrangement is, well, it's just outright fun to sing! Lots of silly "oinks," imitation banjo sounds, snoring, and country-style craziness! Featured on the Shine! Movement DVD (00-34720).

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Grandma's Feather Bed: 2-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081358215
SKU: 00-32913

More about this title

Why we love this

This arrangement captures the spirit of the original song while embracing pure theatrical joy. The 2-part voicing makes it accessible to younger or developing choirs, yet the comedic sound effects and rhythmic energy keep it engaging for singers at any level. Directors consistently report that students approach rehearsal with genuine enthusiasm when this piece is on the agenda.

What to expect

Warm, irreverent, and brimming with personality. The piece bounces between folksy charm and outright silliness, inviting singers to embrace the absurdity of a song built around poking fun at a very specific farmyard scenario. It feels like a shared joke between the choir and the audience.

Who it's for

Middle school and high school choirs seeking repertoire that generates genuine excitement without sacrificing musicality. This arrangement works equally well for treble-voiced or mixed choirs in the early stages of their musical development, as the 2-part writing provides clear melodic lines while the comedic elements keep singers invested.

How to get the most out of it

  • Commit fully to the animal sounds and snoring effects. The humor lands only when singers treat these moments with complete sincerity, not ironic distance.
  • Work the imitation banjo sounds as an ensemble. Precise rhythm and unified articulation turn these vocal effects into a genuine musical texture rather than chaos.
  • Layer the dynamic contrast between the silly sections and any straighter singing passages. This variation prevents the comedy from becoming one-note and gives the choir natural energy peaks.
  • Use the recorded accompaniment during early rehearsals to lock in the groove and feel the infectious country-style rhythms before worrying about perfection.

How to use it

This piece works beautifully in a family concert, holiday show, or any program where you want to shift the energy and remind the audience that singing together is supposed to be joyful. It pairs well alongside more traditional or reverent selections, serving as a palate cleanser that sends the audience out smiling.

Skills your students will build

  • Comic timing and theatrical clarity in ensemble singing
  • Rhythmic precision in country-style grooves and syncopation
  • Blend and balance while executing rhythmic spoken or sung effects
  • Confidence performing music that prioritizes personality over technical difficulty

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