Grandma's Feather Bed Cover Image

Grandma's Feather Bed: SSA Choral Octavo

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Grandma's Feather Bed Cover Image

Grandma's Feather Bed: SSA Choral Octavo

Words and music by Jim Connor / arr. Sally K. Albrecht

Item: 00-32912

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Description
Yee-Haw! The best darn thing about this arrangement is, well, it's just outright fun to sing! Lots of silly "oinks," imitation banjo sounds, snoring, and country-style craziness! Featured on the Shine! Movement DVD (00-34720).

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081358208
SKU: 00-32912

More about this title

Why we love this

This arrangement captures everything that makes community choirs come alive: permission to be unabashedly silly without sacrificing musicality. The sound effects and physical comedy are built into the score itself, so singers aren't improvising chaos—they're executing a carefully crafted comedic performance that lands every time.

What to expect

A barnyard romp set to music. Singers inhabit a world of feather beds, farm animals, and pure silliness while maintaining genuine musicality underneath the comedy. It's the kind of piece that gets laughs from the audience and grins from the singers.

Who it's for

SSA choirs (grades 5 and up) looking for a program piece that energizes audiences and gives singers permission to play. Directors seeking material that builds ensemble camaraderie through shared performance joy will find this arrangement especially rewarding.

How to get the most out of it

  • Commit fully to the vocal sound effects (oinks, banjo imitations, snoring). Singers who hold back on the character work dilute the humor; rehearse these moments with the same attention you'd give to any musical phrase.
  • Work the staging intentionally. The octavo includes movement suggestions, but blocking should flow naturally from the lyrics and sound effects so the comedy feels organic rather than forced.
  • Balance the silly moments with solid harmonic support in the SSA voicing. The alto line carries important harmonic weight, especially when sopranos are engaged in sound effects; make sure altos feel secure in their part.

How to use it

Perfect as an opener or closer on a spring or end-of-year concert when you want to shift the energy and showcase your choir's personality. This also works well on family-friendly community events or informal performances where lighter fare fits the context.

Skills your students will build

  • Executing rhythm and melody while layering in rhythmic speech and sound effects
  • Sustaining character and comedic timing across a full arrangement
  • Balancing harmonic responsibility (particularly alto voice) while managing performance physicality
  • Ensemble blend and confidence in part independence within an SSA voicing

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