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Good Time: Marching Band Conductor Score

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Good Time: Marching Band Conductor Score

Words and music by Matthew Thiessen, Brian Lee, and Adam Young [Owl City; Carly Rae Jepsen] / arr. Doug Adams

Grade: 2 (Easy)

Item: 00-40204S

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Description
Here is the infectious dance-pop hit from 2012 by Owl City & Carly Rae Jepsen in a solidly scored chart. This arrangement by Doug Adams has lots of rhythmic drive, and every section gets a shot at the melody. A must-have chart for this fall! (1:35)

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Additional Details
Series: Easy Pops for Marching Band
Publisher: Alfred Music
Page Count: 8
UPC: 038081458021
SKU: 00-40204S

More about this title

About the Composer: Matthew Thiessen

Matthew Thiessen is a songwriter and producer known for crafting pop hooks that resonate across genres and audiences. As a founding member of the Canadian rock band Metric, he developed a distinctive approach to melody and arrangement that balances accessibility with musical substance.

Why we love this

Doug Adams' arrangement captures the propulsive energy of the original without sacrificing clarity across your sections. At Grade 2, it's accessible enough for developing bands while maintaining the infectious rhythmic drive that makes this track so compelling to perform and hear.

What to expect

The arrangement crackles with pop-inflected rhythmic vitality. Syncopation and counterrhythm drive the piece forward, creating that signature dance-pop momentum while the rotating melody ensures every performer has a moment to shine.

Who it's for

Marching bands at all skill levels will find this accessible. Grade 2 groups looking for contemporary repertoire that engages audiences and builds energy will benefit from its straightforward technical demands and immediate appeal.

How to get the most out of it

  • Keep the pulse steady and forward throughout. The song's appeal hinges on relentless rhythmic momentum, so guard against dragging, especially in the second half.
  • Balance your melody carriers (which rotate through sections) against the rhythmic foundation. Let each section take ownership of their moments without drowning out the pulse.
  • Pay attention to articulation consistency across parts. Clean, unified tonguing on the rhythmic figures will tighten the overall groove.
  • Use dynamics to shape the arch rather than to smooth it out. Slight pushes forward at phrase boundaries maintain energy without losing control.

How to use it

Slot this into a fall show seeking contemporary energy and crowd appeal. Its eight-page length and Grade 2 difficulty make it ideal for bridging between a traditional opener and more substantial repertoire, or as a standalone closer that sends audiences out with infectious momentum.

Skills your students will build

  • Maintaining steady pulse in syncopated rhythmic contexts
  • Executing clean articulation across ensemble figures
  • Balancing rhythmic foundation parts with melodic interest
  • Rotating melody assignment and part independence
  • Reading contemporary pop-influenced notation and phrasing

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