Good News, Great Joy!: SSA Choral Octavo
Words and music by Ruth Morris Gray
Item: 00-PO-0005718
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More about this title
About the Composer: Ruth Morris Gray

Ruth Morris Gray brings decades of choral expertise to her compositional work, having directed choirs at Rosemead High School since 2004. Her formal training spans piano performance and composition at Biola University, with advanced study in composition at UC Santa Barbara, grounding her creative voice in both technique and artistry.
With over 100 published choral compositions to her name, Gray has established herself as a prolific voice in contemporary sacred music. Beyond the page, she remains an active educator, performer, and advocate for music in schools, while maintaining a rich personal life that includes travel, swimming, and cycling with her husband.
Why we love this
Gray's spiritual-influenced original melody sits perfectly in the SSA range while remaining melodically engaging for singers at all levels. The call-and-response framework gives you natural teaching moments around phrasing, response timing, and dynamic contrast, and the built-in choreography option means you can stage this without reinventing the wheel.
What to expect
Rooted in spiritual tradition yet immediately contemporary, this piece opens with warmth and accessibility before unveiling dramatic layers of call-and-response energy. The shifting dynamics and articulated phrasing create momentum that feels both celebratory and intentional, capturing the joy of the season without resorting to sentiment.
Who it's for
SSA or SSAA choirs preparing holiday programming with limited rehearsal time will find this instantly singable and musically substantial. Directors seeking authentic gospel-influenced writing that bridges popular style with choral integrity will appreciate Gray's compositional instincts here.
How to get the most out of it
- Emphasize the articulation markings to shape the spiritual character; Gray's stylization distinguishes this from generic holiday fare, so commit to her rhythmic and textural choices rather than smoothing them out.
- Balance the call-and-response sections carefully in rehearsal so the responding voices land with confidence and clarity rather than trailing behind the lead.
- Use dynamic shifts as structural landmarks: clearly separate the softer sections from the dramatic peaks so the piece builds intentionally rather than plateauing.
- If using the choreography from the Movin' DVD, block it early in rehearsals so your singers can internalize the staging without it feeling bolted on to the music.
How to use it
Open a holiday concert with this piece to establish an energetic, joyful tone, or pair it with quieter sacred selections to showcase your choir's dynamic range and stylistic versatility. Its gospel backbone and accessible melody make it equally effective as a standalone feature or as the anchor to a Christmas medley.
Skills your students will build
- Call-and-response singing and ensemble balance
- Gospel-influenced articulation and rhythmic precision
- Dynamic contrast and structural phrasing in sacred music
- Movement integration with vocal performance