Good News, Great Joy!: SATB Choral Octavo
Words and music by Ruth Morris Gray
Item: 00-PO-0005716
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About the Composer: Ruth Morris Gray

Ruth Morris Gray has directed choirs at Rosemead High School in California since 2004, where she also teaches piano. She holds a Bachelor of Music in Piano Performance and Composition from Biola University and a Master of Arts in Music Composition from the University of California, Santa Barbara, along with a California Single Subject Music Credential from California State University, Northridge.
With over 100 published choral compositions to her name, Gray brings both compositional craft and classroom experience to her writing. Beyond her work as a composer, director, and performer, she is an avid traveler and cyclist.
Why we love this
Gray channels the rhythmic vitality and call-and-response tradition of gospel music into an original Christmas work that feels authentic rather than borrowed. The dramatic dynamic shifts and articulation choices give your singers real interpretive material to sink their teeth into, transforming what could be a standard seasonal selection into a memorable moment that audiences genuinely anticipate.
What to expect
Grounded in the spiritual tradition but written as an original melody, this piece pulses with infectious energy and celebratory warmth. The shifting dynamics and call-and-response exchanges create an intimate, conversational quality one moment and build to rousing, full-voiced declarations the next.
Who it's for
SATB choirs looking for a contemporary gospel-inflected Christmas piece with teaching value and audience appeal. This work suits choirs with some vocal maturity and independence, as the call-and-response writing and articulation demands require singers who can lock into rhythmic precision while maintaining musical expression.
How to get the most out of it
- Shape the call-and-response sections with clear contrast between the answering voices and the soloist or section doing the calling; let the exchanges breathe rather than overlap them tightly.
- Attend to the stylized articulation markings throughout. These articulations are part of the gospel idiom and should inform your singers' phrasing and tone color.
- Employ the dramatic dynamic shifts as structural signposts. Rehearse the transitions deliberately so singers understand the narrative arc these shifts create across the piece.
- If using the recorded accompaniment, have your singers listen to it during rehearsal to internalize the rhythmic pocket and groove that anchors the arrangement.
How to use it
Pair this with other contemporary sacred or Christmas selections to create a concert set that honors tradition while showcasing your choir's versatility and modern repertoire choices. The riser choreography makes it an ideal closer or climactic moment in a winter concert, offering visual interest alongside the strong vocal writing.
Skills your students will build
- Call-and-response singing with clear sectional independence
- Gospel-influenced rhythmic precision and swing feel
- Dynamic shaping and contrast within a single piece
- Stylized articulation techniques in a sacred context
- Ensemble cohesion across shifting textural changes