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Go West! (Medley): Full Orchestra Conductor Score

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Go West! (Medley): Full Orchestra Conductor Score

Featuring: The Magnificent Seven / The Good, the Bad, and the Ugly / Hang 'Em High

Various / arr. Ralph Ford

Grade: 2

Item: 00-FOM04006C

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Description
Ride 'em Cowboy! In 2007 Ennio Morricone was awarded the Lifetime Achievement Award at the Academy Awards. Here's a high-energy medley of western favorites for the intermediate full or string orchestra. Favorite themes included "The Magnificent Seven," "Hang 'Em High," and "The Good, the Bad, and the Ugly." This spirited arrangement will bring the crowd to their feet! (2:50)

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Additional Details
Series: Pop Intermediate String/Full Orchestra
Publisher: Alfred Music
Page Count: 24
UPC: 654979081395
SKU: 00-FOM04006C

More about this title

About the Arranger: Ralph Ford

Ralph Ford

Ralph Ford brings three decades of professional experience across composition, arrangement, conducting, and education to every score he creates. Since the mid-1980s, he has held faculty positions teaching orchestration, arranging, theory, and applied instruction while maintaining an active career as a clinician and guest conductor. His work spans multiple media: he has composed and arranged over 250 titles for orchestras, concert bands, jazz ensembles, and marching groups; produced recordings and broadcast content for national networks; and received international recognition for advertising and animation work.

Ford's arrangement practice was shaped early by his work as a student arranger in Panama City and his years directing jazz ensembles at the university level. Now an exclusive composer and arranger for the Belwin division of Alfred Music, he has established himself as a frequently commissioned voice whose music reaches school, university, military, professional, and community ensembles worldwide.

Why we love this

Ford takes three iconic Ennio Morricone themes and weaves them into a single, propulsive narrative that feels natural rather than stitched together. The orchestration sits perfectly at Grade 2, giving every section meaningful material without requiring virtuosity. What makes this arrangement work is its restraint; Ford knows when to let the melody sing and when to build energy, so conductors can shape the medley with confidence and students stay engaged from the opening notes to the final flourish.

What to expect

The energy of the American West meets orchestral sophistication. These familiar themes arrive with swagger and momentum, the kind of arrangement that makes an audience sit forward in their seats, yet the writing remains accessible enough that students feel they're genuinely playing, not just reading parts.

Who it's for

Intermediate full and string orchestras looking for high-energy concert repertoire that connects with audiences. Conductors seeking a piece that builds ensemble confidence while delivering genuine crowd appeal will find this medley rewarding to rehearse and perform.

How to get the most out of it

  • Balance the melodic line in the first theme across first violins and woodwinds; too much weight in either section muddies the iconic opening.
  • Take the transition passages slightly briskly to maintain momentum between themes and prevent the medley from feeling episodic.
  • Reserve dynamic intensity for the final theme; building from moderate dynamics in the earlier sections gives the conclusion real impact.
  • Conduct the rhythm section with clarity and precision, especially in passages where the arrangement moves between themes; lock the beat early in rehearsal to ensure ensemble cohesion.

How to use it

Use this as a finale or centerpiece for a pops concert, film music showcase, or spring concert where you want a piece that leaves the audience energized. It pairs well with other light concert fare and works equally effectively as a standalone closer that requires only one rehearsal setup, making it ideal for busy conducting schedules.

Skills your students will build

  • Melodic clarity and tone production in sustained passages
  • Rhythm section cohesion and ensemble precision
  • Transitions between contrasting sections and thematic material
  • Dynamic control and phrasing across a medley structure
  • Maintaining ensemble balance when the melodic focus shifts between instrumental sections

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