Go 'Way from My Window (High Voice), from Folk Songs for Solo Singers, Vol. 2 Cover Image

Go 'Way from My Window (High Voice), from Folk Songs for Solo Singers, Vol. 2: SoundTrax Digital Audio Download

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Go 'Way from My Window (High Voice), from Folk Songs for Solo Singers, Vol. 2 Cover Image

Go 'Way from My Window (High Voice), from Folk Songs for Solo Singers, Vol. 2: SoundTrax Digital Audio Download

14 Folk Songs Arranged for Solo Voice and Piano... For Recitals, Concerts, and Contests

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Item: 00-A-00015891

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Additional Details
Series: For Solo Singers
Publisher: Alfred Music
SKU: 00-A-00015891

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse studied music education and music at Indiana University of Pennsylvania, where he later received the Distinguished Alumni award. His work in educational music publishing, including a term on the Executive Board of the Music Publishers Association of America, shaped his deep understanding of what teachers and singers need.

Althouse has composed more than 800 choral works performed across the English-speaking world and holds regular ASCAP Special Awards for his contributions to standard music. Beyond composing, he has curated and arranged significant vocal collections, co-authored The Complete Choral Warm-up Book and Accent on Composers, and created classroom resources including Ready to Read Music and One-Page Composer Bios. His collaborative work with his wife Sally K. Albrecht includes children's musicals and I Hear America Singing, performed by the San Francisco Girls and Boys Choirs at President Obama's 2009 inauguration. He currently serves on the National Advisory Board of the Folk Art Society of America.

Why we love this

Althouse's approach to folk song arrangement respects the authenticity of the material while making it accessible for solo singers. The high voice setting sits naturally for sopranos and tenors, with accompaniment support that lets the melody shine without overwhelming it. This is a recital piece with real substance, not a watered-down interpretation.

What to expect

A contemplative folk narrative with roots in American traditions, this song carries both intimacy and longing. The digital accompaniment provides a sturdy harmonic foundation that lets your voice find space within the texture.

Who it's for

This arrangement suits sopranos and tenors preparing solo recital or festival repertoire who want a strong folk piece that demonstrates musicianship and storytelling skill. Singers at intermediate to advanced levels will appreciate the sophisticated harmonic setting that supports rather than accompanies.

How to get the most out of it

  • Listen through the full digital accompaniment before rehearsing to hear how the harmonic support frames the melody and identify any spots where you need to lock in rhythmically.
  • Shape the folk melody with clear phrase direction; these songs live or die by how you tell the story, not by vocal pyrotechnics.
  • Balance your dynamic arc across the entire song rather than singing all verses at the same volume; use subtle shifts in intensity to keep the narrative moving.
  • Pay attention to the text painting in the lyrics and let the emotional arc of the words guide your interpretation of the accompaniment's harmonic colors.

How to use it

Pair this with other American or traditional repertoire to anchor a recital's second half, where more introspective material can deepen the program's emotional arc. It works especially well in solo competition or festival contexts where folk-influenced art songs demonstrate versatility.

Skills your students will build

  • Storytelling and emotional phrasing in folk-influenced material
  • Balancing solo voice with recorded accompaniment
  • Sustaining clarity and diction across a narrative arc
  • Interpreting harmonic support to inform interpretation

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