Go, Tell It on the Mountain: TTB Choral Octavo
Traditional Spiritual / arr., with additional words, by Donald Moore
Item: 00-PO-0003337
Minimum order quantity: 20 copies
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More about this title
About the Arranger: Donald Moore

Donald Moore earned his Bachelor of Music in organ performance and Master of Arts in Teaching from Kent State University. He has served as Organist-Choirmaster at Pilgrim United Church of Christ in Cuyahoga Falls, Ohio, and maintains an extraordinary catalog of over 500 published works across sacred, secular, educational, and popular choral repertoire, organ music, piano works, and instructional texts with major publishers including Alfred Music, Hal Leonard, and Heritage Music Press.
Moore's compositions are staples at state contests and festivals nationwide, and his work has been recognized at state, regional, national, and international conventions. A seventeen-time recipient of the ASCAP Composers Standard Award, he was named by the American Choral Directors Association as one of 400 composers of historical significance in American choral music.
Why we love this
Moore captures the infectious energy and call-and-response character of this spiritual while keeping the arrangement lean enough to learn quickly in December. The gospel-style refrain gives your singers a satisfying, repeatable hook, and the brief verse solos create natural moments for featuring your strongest voices without overwhelming rehearsal time.
What to expect
Joyful and propulsive, with the warmth and collective spirit of a spiritual sung by people who mean it. The gospel-inflected harmony and refrain structure recall congregational singing, and the solos invite moments of individual witness before the full group swells back in.
Who it's for
TTB choirs of intermediate ability who need a Christmas piece that's both musically substantial and rehearsal-efficient. This works equally well for church choirs, community ensembles, and school choirs looking to add authentic spiritual energy to their holiday concert.
How to get the most out of it
- Lock the rhythmic pocket between the refrain melody and the gospel feel in the accompaniment; this syncopation is what gives the arrangement its drive.
- Let the verse solos breathe slightly before the full choir enters on the refrain; the contrast makes both sections land harder.
- Bring out the harmonic movement in the lower voices during the refrain; they anchor the spiritual groove and deserve clarity.
How to use it
Pair this with other sacred or traditional pieces to create a Christmas program that balances reverence with exuberance. Its straightforward energy and familiarity make it ideal as a second or third selection when you want to shift the mood after a quieter opening piece.
Skills your students will build
- Gospel-style rhythmic interpretation and swing feel
- Blending in full-voice refrain passages after solo sections
- Harmonic awareness in TTB voicing, especially lower voice independence
- Quick learning and memorization under rehearsal time constraints