Go, Tell It on the Mountain: SAB Choral Octavo
Traditional Spiritual / arr., with additional words, by Donald Moore
Item: 00-PO-0003335
Minimum order quantity: 20 copies
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About the Arranger: Donald Moore

Donald Moore earned his Bachelor of Music in organ performance and Master of Arts in Teaching from Kent State University. He serves as Organist-Choirmaster at Pilgrim United Church of Christ in Cuyahoga Falls, Ohio, and has established himself as one of the most prolific voices in American choral music with over 500 published works across sacred, secular, educational, and pop genres.
Moore's compositions appear regularly at state contests, regional festivals, and national conventions. He is a 17-time recipient of the ASCAP Composers Standard Award and was recognized by the American Choral Directors Association as one of 400 elite composers of significance in American choral music history. His catalog spans choral octavos, organ and piano works, educational collections, and instructional texts published by Alfred, Hal Leonard, Heritage Music Press, and other major houses.
Why we love this
Moore captures the infectious energy of this spiritual without requiring extended rehearsal time, a genuine advantage when your schedule is packed with holiday concerts and winter performances. The built-in solo opportunities give singers a chance to shine individually while the recurring refrain creates structural cohesion that students grasp immediately, making this an ideal choice for groups learning the piece in just a few rehearsals.
What to expect
The arrangement pulses with the warmth and vitality of traditional gospel, grounded in the spiritual's historical depth. Solo passages invite intimate storytelling while the refrain swells with celebratory confidence, creating a piece that feels both reflective and joyful.
Who it's for
Choirs with SAB/3-part mixed voicing who need effective, stylistically accurate repertoire for the Christmas season. This arrangement works equally well for school choirs, church ensembles, and community groups where rehearsal time is limited but musical impact must remain high.
How to get the most out of it
- Shape the verses with the soloists by letting those parts breathe and stand forward in the mix; the supporting voices should listen and respond rather than overshadow.
- Anchor the gospel-style refrain with a solid rhythmic foundation from your lower voices to establish the groove, then let the energy build through repetition and dynamic contrast.
- Work the accompaniment recording into early rehearsals so the group hears the intended style and feel; this accelerates learning and helps singers lock into the groove quickly.
How to use it
Include this as a closing number or a high-energy centerpiece in a Christmas concert where you want to shift the mood toward celebration and movement. The 8-page length and accessible voicing make it an excellent anchor for a mixed-voice set, especially when programmed after more serious or reverent selections.
Skills your students will build
- Singing SAB part independence and balance within 3-part harmony
- Stylistic interpretation of gospel and spiritual idioms
- Solo singing with confident vocal production and clear diction
- Rhythmic precision in syncopated, groove-based arrangements
- Responding to harmonic movement and chord changes
- Ensemble cohesion when paired with recorded accompaniment