Go, Tell It on the Mountain: Choral Octavo SoundTrax CD

Lantz transforms a beloved spiritual into something genuinely fresh by anchoring it in samba grooves that feel organic rather than gimmicky. The arrangement sits comfortably for mixed choirs and show choirs alike, offering enough rhythmic character to engage singers without demanding specialized vocal techniques, and the recorded accompaniment frees you to focus rehearsal time on blend and style rather than note-learning.

Joyful and propulsive, with warmth underneath the samba sparkle. The arrangement honors the spiritual's dignity while infusing it with sly humor and forward motion, creating an energy that feels celebratory without straying into novelty.

Mixed choirs seeking holiday repertoire that moves beyond traditional arrangements, as well as show choirs looking for festive material with contemporary flair. This works equally well for community and school groups comfortable with rhythmic independence and style-conscious singing.

• Let the samba rhythm breathe as the foundation of your interpretation; resist the urge to flatten the groove or make it feel metronomic. The forward motion should feel natural and conversational.
• Use the recorded accompaniment in early rehearsals to establish the groove, then transition to piano or instrumental parts so singers can own the rhythmic feel themselves.
• Shape the vocal lines with gentle syncopation that complements rather than fights the accompaniment; dancers and singers should appear to be responding to the same pulse.

Program this as a centerpiece holiday selection that signals your choir's versatility and contemporary sensibility. It pairs naturally with more traditional spirituals or hymns earlier in a concert, offering a refreshing tonal and rhythmic pivot that holds the audience's attention through the final numbers.

• Rhythmic independence in syncopated contexts
• Style and groove singing in samba-influenced arrangements
• Blend and balance across mixed voice parts while maintaining rhythmic clarity
• Movement coordination with accompaniment and ensemble pulse