Gloria Fanfare Cover Image

Gloria Fanfare: Choral Octavo SoundTrax CD

$26.99 USD
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Gloria Fanfare Cover Image

Gloria Fanfare: Choral Octavo SoundTrax CD

Music by Sally K. Albrecht

Item: 00-21747

$26.99
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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081211411
SKU: 00-21747

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over four decades as a composer, conductor, and clinician with particular expertise in choral movement and staging. Since 1987, she has received the ASCAP Special Music Award annually and maintains more than 600 published choral works in addition to 75 larger musicals and songbooks. Her conducting leadership extends across major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, where she has led honor choirs and festival ensembles nationwide.

During her 30 years as Director of School Choral, Vocal, and Elementary Publications at Alfred Music and other major educational publishers, Albrecht shaped the landscape of accessible choral literature. She holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), and has taught in the music departments at Oakland University, Jersey City State College, and Meredith College. In 2021, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees.

Why we love this

Albrecht builds fanfares with genuine momentum and clarity, making this piece both visually and musically effective for groups learning to execute rhythmic precision with ensemble confidence. The partner song structure opens multiple programming possibilities and allows singers at different sight-reading levels to contribute meaningfully to the same sacred statement. A recorded accompaniment rounds out the package, letting you rehearse independently or use it as a finished product for liturgical contexts.

What to expect

A spirited, affirming celebration shot through with jubilation and reverence. The fanfare idiom creates immediate forward motion while the harmonic language keeps the piece grounded in sacred territory, balancing exuberance with respect for the text. This is music that lifts and inspires without demanding virtuosity.

Who it's for

Intermediate to advanced choral ensembles seeking a brief, impactful sacred work suitable for worship services, concerts, or festival settings. Directors who value flexibility will appreciate the partner song option, which accommodates varied voice distributions and rehearsal time constraints. This works for community choirs, school groups, and church choirs with singers ready to tackle rhythmic precision and ensemble blend.

How to get the most out of it

  • Balance the fanfare flourishes across all voice parts so the opening lands with unified brightness rather than fragmentation; mark the critical entrance moments in rehearsal until they become automatic
  • Explore how the partner song structure allows you to feature treble voices, lower voices, or a full unison passage depending on your ensemble composition and how you want the piece to unfold
  • Test the recorded accompaniment during rehearsal to determine whether you'll use it for performance or phase it out entirely as your singers internalize the harmonic foundation
  • Shape the text intelligently so 'Gloria' carries through musical peaks without sacrificing clarity; energy and diction work hand in hand here

How to use it

Open a concert or service with this piece to establish an energetic, celebratory tone for what follows. Its compact length makes it ideal as a bridge between longer works or as the closing piece for a program focused on sacred music. Consider pairing it with settings in contrasting styles or tempos to showcase the range within your choral library.

Skills your students will build

  • Executing rhythmic precision in syncopated fanfare figures
  • Blending multiple voice parts in harmonic progressions
  • Navigating partner song structures and sectional independence
  • Matching articulation and energy across an ensemble in short, impactful phrases
  • Balancing sacred text delivery with musical momentum

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