Gloria Cover Image

Gloria: TTB Choral Octavo

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Gloria Cover Image

Gloria: TTB Choral Octavo

By John Leavitt

Item: 00-35474

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Description
A favorite of choral directors everywhere, this extraordinary work will take your choir on a musical adventure. On this, its 20th anniversary, additional voicings and a cinematic orchestration provide new opportunities for contemporary performance. If this is not in your library, add it now!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Gloria: TTB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081396705
SKU: 00-35474

More about this title

About the Composer: John Leavitt

John Leavitt has established himself as one of the most performed composers in American choral music, with a catalog spanning sacred works, secular pieces, and arrangements across all voicing configurations. His compositions are known for their accessibility without sacrifice of musical substance, making them staples in high school, college, and community choir libraries.

Why we love this

Leavitt's Gloria strikes the balance every director seeks: it's singable enough for emerging choirs yet sophisticated enough to engage experienced ensembles. The new voicing options mean you can finally program this work across multiple levels in the same concert, and the cinematic orchestration gives even a cappella rehearsals a sense of dramatic scale.

What to expect

Gloria unfolds with the grandeur of a sacred processional, moving between moments of introspective beauty and celebratory joy. The cinematic orchestration elevates the text's liturgical weight while remaining grounded in the human warmth of three-part harmony.

Who it's for

TTB choirs at the high school and college level, as well as community and adult choirs seeking substantial sacred repertoire that doesn't demand decades of training. Directors programming mixed-voicing concerts will appreciate the flexibility of arranging this work in multiple versions across the same program.

How to get the most out of it

  • Balance the text clarity across all three voice parts; the TTB voicing benefits from deliberate articulation in the faster passages to prevent muddiness in the lower registers.
  • If using the recorded accompaniment, set a tempo in early rehearsals and let singers lock onto the groove before adding expressive layers.
  • Shape the longer phrases with subtle dynamic contours rather than singing at one dynamic level; this work rewards singers who listen vertically to their own placement within the harmony.
  • Consider the optional instrumental parts as a way to bolster confidence in weaker sections during performance, not just as an add-on for the final concert.

How to use it

Program this as a centerpiece in a sacred music concert, pairing it with lighter Renaissance settings or contemporary pieces to create dramatic contrast. It also works beautifully as a concert opener or closer, depending on whether you want to build toward or reflect upon the evening's themes.

Skills your students will build

  • Singing in three-part harmony with attention to voice independence and blend
  • Navigating text expression across longer, shaped phrases
  • Balancing solo and ensemble moments within a choral texture
  • Performing with recorded accompaniment while maintaining musicality and ensemble cohesion

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