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Give Your Heart a Break: Choral Octavo SoundTrax CD

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Give Your Heart a Break Cover Image

Give Your Heart a Break: Choral Octavo SoundTrax CD

As Performed by the cast of Glee

Words and music by Billy Steinberg and Josh Alexander [Demi Lovato] / arr. Alan Billingsley

Item: 00-40028

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Description
This #1 pop ballad performed by Demi Lovato was also featured on Glee. With an undeniably catchy hook and easy-to-sing harmonies, this is an excellent choice for any program.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081446868
SKU: 00-40028

More about this title

About the Composer: Billy Steinberg

Billy Steinberg has shaped contemporary pop music across four decades as a composer and lyricist, crafting chart-topping hits for artists including Cyndi Lauper, Kelly Clarkson, and The Bangles. His ability to write melodies that lodge themselves in listeners' ears while maintaining emotional authenticity has made him one of the most recorded songwriters in modern music. In the choral space, his pop compositions bring the same commercial appeal and melodic accessibility that define his work in the recording industry.

Why we love this

Alan Billingsley's arrangement respects what makes the original so compelling: a melody that feels inevitable and harmonies that sit naturally in teenage voices. Directors often struggle to find pop material that doesn't sacrifice musicality for relevance, and this octavo delivers both. The recorded accompaniment lets singers focus entirely on blend and expression rather than fighting to lock in rhythms.

What to expect

Singing this piece carries the bittersweet vulnerability of a pop ballad: the verses feel intimate and exposed, with space for emotional authenticity from your singers. When the hook emerges, it's irresistible and fun. By the final chorus, the accumulation of layers creates a warm, powerful wash of sound that feels earned rather than artificially loud.

Who it's for

This arrangement works for choirs with 1-2 years of experience reading in parts, regardless of whether they specialize in pop repertoire. High school choirs preparing for concert, musical theater, or competitive settings will find accessible material that still demands musicianship. Middle school ensembles can also succeed if your program has strong blend work and rhythmic clarity.

How to get the most out of it

  • Balance the hook so it lands without overshadowing the verse melody. The earworm quality works best when all sections support a unified line rather than competing for attention.
  • Let the accompaniment track guide your initial rehearsals, then gradually shift rehearsal focus to what the singers contribute. This builds confidence in young singers before you layer in choreography or staging.
  • Shape the dynamics deliberately through the form. Resist the urge to stay at full volume throughout; the emotional payoff comes from contrast between restrained verses and an earned, powerful final chorus.
  • Attend to vowel consistency across sections, especially in sustained moments. Pop material often exposes uneven vowel shapes more readily than classical literature because there's nowhere to hide.

How to use it

Schedule this for a pop or contemporary showcase, or program it alongside other recent crossover hits to create a mini-set that reflects what your singers actually listen to. The recorded accompaniment makes it an excellent choice for a spring concert where rehearsal time is fragmented. If your program includes Glee repertoire or contemporary musical theater selections, this sits naturally in that company.

Skills your students will build

  • Maintaining melodic line while singing chordal harmony
  • Blending pop vocal tone with choral discipline
  • Reading syncopated rhythms in a contemporary idiom
  • Sustaining emotional connection across a repeated hook structure
  • Balancing solo moments within ensemble texture

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