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Give Me Your Tired, Your Poor: Concert Band Conductor Score

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Give Me Your Tired, Your Poor: Concert Band Conductor Score

Texts by Emma Lazarus and Charlotte Lee, music by Douglas E. Wagner

Grade: 2.5 (Easy to Medium Easy)

Item: 00-BDM05038C

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Description
The immigrant spirit of our Nation lives on in the hearts of all Americans through the words of Emma Lazarus that appear at the base of the Statue of Liberty. Doug Wagner has created this wonderful work for concert band with strings and chorus. It is perfect for any event and allows participation of the entire music department! If you're looking for a special patriotic addition to your next concert, consider Give Me Your Tired, Your Poor. [Concert Band (BDM05038); Choral - SATB (SVM05066); TTBB (SVM05067)] (3:34)

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Additional Details
Series: Belwin Concert Band
Publisher: Alfred Music
Page Count: 20
UPC: 654979094586
SKU: 00-BDM05038C

More about this title

About the Composer: Douglas E. Wagner

Douglas E. Wagner

Douglas E. Wagner studied music at Butler University, earning both undergraduate and graduate degrees before launching a thirty-year career as a high school music director and administrator in the Midwest. Since 1973, he has become one of the most prolific composers in American music education, with over 3,500 published works across nearly every ensemble type: concert band, orchestra, choir, handbell ensemble, organ, piano, and voice.

His compositions have reached an estimated seventeen million copies worldwide and regularly appear on concert stages, in broadcasts, and in performances across the United States and internationally. Wagner now bases his work in Indianapolis, where he continues composing full-time.

Why we love this

Wagner's integration of band, strings, and chorus creates a genuinely collaborative music department moment rather than a gimmick. The Grade 2.5 difficulty means your intermediate ensembles can handle the writing without sacrificing musical substance, and Lazarus's text carries genuine emotional weight that resonates with audiences across generations and backgrounds.

What to expect

The music embodies the dignity and hope contained in Lazarus's iconic words. Wagner's arrangement creates a sense of uplift and inclusion, with the band providing a sturdy harmonic foundation while the chorus and strings carry the emotional core of the text.

Who it's for

Directors programming a patriotic concert or summer pops event who want to engage multiple ensembles simultaneously. The three-ensemble format works particularly well for departments with developing concert bands, intermediate choirs, and the flexibility to add strings.

How to get the most out of it

  • Balance the chorus and strings against the band's natural volume; the text clarity depends on hearing the voices distinctly through the instrumental texture.
  • Establish the tempo early in rehearsals and maintain it consistently across all three ensembles, since they will rehearse separately before combining.
  • Work the phrase arcs with both your band and chorus independently before full-score rehearsals; this score rewards pacing and breath control rather than rushing through sections.

How to use it

Program this as a centerpiece for Fourth of July concerts, patriotic benefit events, or end-of-year celebrations that emphasize community and diversity. The modest length (3:34) positions it perfectly as a concert closer or opening statement without dominating program real estate.

Skills your students will build

  • Blending three independent ensembles (band, strings, chorus) to a unified sound
  • Phrase shaping and dynamic control in patriotic/ceremonial contexts
  • Reading and executing sustained harmonic backgrounds
  • Ensemble coordination with combined instrumental and vocal forces

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