Girls Gone ABBA (A Medley) Cover Image

Girls Gone ABBA (A Medley): SSA Choral Octavo

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Girls Gone ABBA (A Medley) Cover Image

Girls Gone ABBA (A Medley): SSA Choral Octavo

Featuring: Honey, Honey / Does Your Mother Know / Gimme! Gimme! Gimme!

Words and music by Benny Andersson, Björn Ulvaeus, and Stig Anderson / arr. Andy Beck

Item: 00-31221

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Description
The girls of your choir will stop the show with this fast-paced, energy-filled mini-medley from the mega-hit movie musical, Mamma Mia! Originally made popular by the Swedish music group ABBA. Sensational SSA singing with super-fun "all-girl" lyrics!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 20
UPC: 038081339924
SKU: 00-31221

More about this title

About the Composer: Benny Andersson

Benny Andersson stands as one half of ABBA's songwriting and production engine, shaping the sound of one of the most successful pop acts in music history. His work with Björn Ulvaeus created melodies and arrangements that defined the 1970s and beyond, combining infectious pop hooks with sophisticated production values that remain remarkably durable in any musical context.

Andérsson's compositions have transcended their original pop context to become staples of musical theater, film, and educational choral programs worldwide. His understanding of vocal harmony and arrangement continues to influence pop songwriting and music education repertoire.

Why we love this

Andy Beck's arrangement captures the irresistible momentum and vocal interplay that made ABBA's harmonies iconic, delivering it in a format that lets SSA singers shine without sacrificing the song's infectious energy. The "all-girl" lyrical spin keeps the material fresh and engaging for younger and contemporary choirs, while the medley structure paces itself perfectly for a show-stopping moment that audiences genuinely respond to. Recorded accompaniment available ensures your singers have a professional-quality backing track that locks the groove and lets them focus on their parts.

What to expect

Fast-paced and celebratory, with the kind of irresistible momentum that pulls an audience into the moment. The harmonic brightness and rhythmic precision of ABBA's original compositions shine through in an arrangement built for SSA voices to own the stage with confidence and joy.

Who it's for

SSA choirs and show choirs seeking high-energy pop material with instant audience recognition and built-in enthusiasm. This medley works especially well for treble singers in middle school through early high school ensembles who respond to contemporary pop idiom and collaborative vocal writing.

How to get the most out of it

  • Balance the harmonic texture by resisting the urge to oversing the top line; ABBA's sound thrives on tight, buoyant unison moments and conversational exchanges between parts rather than stacked fortissimos.
  • Lock into a consistent groove from the very first rehearsal by working the rhythm section cues in the arrangement; these songs demand precision of pop phrasing, not classical sustain.
  • Shape the dynamic arc through the medley by planning which segments feature all voices and where upper voices lift out; the arrangement's variety depends on intentional contrasts in texture.
  • Highlight the fun of the "all-girl" lyrics by bringing character and personality to the vocal storytelling; pop repertoire rewards singers who commit to the text with genuine conviction.

How to use it

Place this near the end of a pop or contemporary set list where its energy can sustain audience engagement and leave a strong final impression. It pairs beautifully with other Alfred Pop Choral Series selections or works as a standalone showstopper in mixed-genre concert programming.

Skills your students will build

  • Pop phrasing and rhythmic precision in contemporary vocal idiom
  • Harmonic balance and blend in three-part writing
  • Quick part-learning and text clarity across a medley structure
  • Collaborative singing and part interdependence in arranged pop harmony

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