Galliard Battaglia Cover Image

Galliard Battaglia: Concert Band Conductor Score

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Galliard Battaglia Cover Image

Galliard Battaglia: Concert Band Conductor Score

Two Trumpets and Concert Band

By Samuel Scheidt / arr. David Marlatt

Grade: 3

Item: 81-CB10187S

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Description
This is a piece that requires no introduction to trumpet players. The famous Canadian Brass quintet arrangement has been played by quintets all over the world for years. This arrangement, for two trumpets and band, makes this famous piece available in a new setting. The flashy scales and the great antiphonal "battle" make this a real audience pleaser.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 16
ISBN10: 1-55473-580-7
ISBN13: 978-1-55473-580-8
UPC: 685462015818
SKU: 81-CB10187S

More about this title

About the Composer: Samuel Scheidt

Samuel Scheidt (1587–1654) was a central figure in German Baroque music and one of the first great keyboard composers of his era. Working primarily in Halle, he developed a compositional style that bridged Italian and German traditions, writing sacred vocal music, instrumental dances, and keyboard works that shaped Protestant church music for generations.

Scheidt's instrumental works, particularly his dances and battle pieces, showcase the rhythmic vitality and contrapuntal craft that defined his approach to composition. His music remains a touchstone for understanding early Baroque instrumental practice and continues to reward both historical performers and contemporary musicians seeking repertoire that combines technical interest with immediate appeal.

Why we love this

David Marlatt's arrangement brings this Baroque showpiece into the concert band setting without sacrificing the brilliant antiphonal dialogue and virtuosic trumpet writing that made the Canadian Brass version legendary. At Grade 3, it delivers genuine musical substance and crowd appeal without requiring advanced technical facility across the full ensemble, making it an ideal choice for programs that want impact without overextending less experienced players.

What to expect

A festive, energetic battle between two trumpet voices that sparks and collides over a driving harmonic foundation. The flashy scalar figures create a sense of virtuosic play and competition, grounded in the sturdy, rhythmic character of Baroque instrumental music.

Who it's for

Concert bands at the intermediate level, particularly those with strong trumpet players ready for spotlight passages. Directors seeking Baroque repertoire that engages audiences and allows soloists to shine without requiring a full advanced ensemble.

How to get the most out of it

  • Balance the two trumpet soloists so each phrase of the antiphonal exchange cuts through the band texture; the excitement of the piece depends on hearing the 'battle' clearly.
  • Shape the famous scalework with consistent articulation and forward momentum; avoid letting the runs become technically sloppy or rhythmically loose.
  • Use the band's accompaniment to create a cohesive harmonic foundation that supports rather than crowds the solo trumpets, especially in the faster passages.
  • Mark tempo precisely and hold it steady through the contrasting sections; the piece's energy comes from rhythmic integrity, not rubato.

How to use it

Position this as a feature piece in the second half of a concert to break momentum and showcase your trumpet section. It pairs well with other Baroque arrangements or serves as an excellent contrast to Romantic-era wind band repertoire, giving audiences a taste of how older music can still command attention and excitement.

Skills your students will build

  • Trading solos and antiphonal playing between parts
  • Rapid scalar passage work with rhythmic precision
  • Balancing solo and ensemble textures in the same piece
  • Maintaining steady tempo and ensemble cohesion through rhythmic complexity
  • Interpreting Baroque style in a modern concert band context

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