Galliard Battaglia Cover Image

Galliard Battaglia: Concert Band Conductor Score & Parts

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Galliard Battaglia Cover Image

Galliard Battaglia: Concert Band Conductor Score & Parts

Two Trumpets and Concert Band

By Samuel Scheidt / arr. David Marlatt

Grade: 3

Item: 81-CB10187

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Description
This is a piece that requires no introduction to trumpet players. The famous Canadian Brass quintet arrangement has been played by quintets all over the world for years. This arrangement, for two trumpets and band, makes this famous piece available in a new setting. The flashy scales and the great antiphonal "battle" make this a real audience pleaser.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 104
ISBN10: 1-55473-528-9
ISBN13: 978-1-55473-528-0
UPC: 685462015290
SKU: 81-CB10187

More about this title

About the Composer: Samuel Scheidt

Samuel Scheidt (1587-1654) was a German Baroque composer and organist whose sacred and instrumental works helped define the style of the North German tradition. A student of the legendary Jan Pieterszoon Sweelinck, Scheidt spent much of his career as court organist and Kapellmeister in Halle, where he composed prolifically across genres including organ works, motets, and instrumental dance suites. His compositions blend Italian harmonic innovation with German contrapuntal craft, making them enduring models for both performers and composers.

Why we love this

Scheidt's "Galliard Battaglia" carries genuine star power in band rooms because of its infectious rhythmic drive and the sheer fun of executing those flashy scalar figures. David Marlatt's arrangement for two trumpets and concert band preserves the piece's competitive energy and brilliant dialogue while opening it to ensembles who want major repertoire impact without quintet requirements. The "battle" between trumpet soloists and the ensemble creates natural audience engagement and gives your trumpet section a moment to shine.

What to expect

Spirited and brilliant, with the energy of two musicians vying for musical supremacy. The cascading scales glitter and dance, while the rhythmic thrust underneath propels the music forward with unmistakable joy and virtuosic flair.

Who it's for

Directors programming Grade 3 concert band concerts who want a signature piece that engages audiences and showcases trumpet soloists. This works equally well for groups seeking substantial Baroque repertoire that feels contemporary and exciting rather than antiquated.

How to get the most out of it

  • Lock the articulation of the running scalar passages between the trumpet soloists; clean unison sixteenths in fast sections will define the piece's character and clarity.
  • Balance the antiphonal exchanges so the trumpet soloists cut through without the ensemble overpowering them, particularly in the competitive "battle" sections.
  • Let the trumpets explore the natural phrasing of their melodic lines; Baroque scalar writing benefits from slight breathing space between figurations.
  • Shape the harmonic support in the band parts so accompaniment becomes responsive rather than rigid, following the soloists' rhythmic flexibility.

How to use it

Position this as a second-half opener to wake up a post-intermission audience, or program it alongside other Baroque masterworks to build a thematic concert. The accessibility of Grade 3 makes it ideal for mid-season repertoire that builds confidence before spring festival season.

Skills your students will build

  • Trading balanced solos between trumpets while maintaining ensemble cohesion
  • Executing rapid scalar passages with precision and clarity
  • Responding to antiphonal (call-and-response) musical dialogue
  • Supporting solo lines with appropriate dynamic flexibility from the ensemble
  • Managing Baroque phrasing and articulation in a modern band setting

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