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Fusion: Concert Band Conductor Score

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Fusion: Concert Band Conductor Score

By Brian Balmages

Grade: 4.5;5

Item: 98-B1324S

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Description
Just as its title suggests, this three-movement contemporary work draws from various types of pop music and dance forms, and sets them in a symphonic framework. The opening movement, Overture, is a short fanfare based loosely on Irish dance rhythms and melodies. The second movement, Ballad, receives its inspiration from various aspects of pop ballads, though no direct references are made. Dense harmonies and interesting textures play an important role throughout the movement. The final movement, Fusion, is a literal combination of rock, funk, swing, and classical in a contemporary setting. Intense and driving, this is an excellent concert finale! You may even want to consider performing the last movement alone as an encore.

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Additional Details
Series: FJH Symphonic Band
Publisher: The FJH Music Company, Inc.
UPC: 241444482452
SKU: 98-B1324S

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has built a career moving fluidly between orchestral, band, and chamber music, with commissions and performances spanning from Carnegie Hall to the Sydney Opera House. He holds the A. Austin Harding Award from the American School Band Directors Association, won the 2020 NBA William D. Revelli Composition Contest, and serves as an elected member of the American Bandmasters Association. His work was performed at the 2013 Presidential Inaugural Prayer Service and he has received distinguished alumni recognition from both James Madison University and the University of Miami.

As a guest conductor, Balmages regularly leads all-state ensembles, university groups, and professional orchestras worldwide, with notable appearances at the Midwest Clinic, Western International Band Clinic, and numerous international venues. He currently directs MakeMusic Publications and Digital Education for Alfred and MakeMusic, positioning him at the center of contemporary music education.

Why we love this

This work delivers genuine contemporary relevance without sacrificing the cohesion and developmental depth that makes a piece rewarding to rehearse. Balmages writes idiomatically for each section, which means your band will feel the music responding to what they do rather than fighting against awkward voicings. The structural arc from Irish-tinged fanfare through pop ballad to the kinetic finale also gives you a natural pedagogical progression for discussing how classical forms persist in modern music.

What to expect

Fusion moves from the celebratory energy of a folk-inflected opening into the lush, complex textures of contemporary pop balladry, then ignites into a relentless blend of rock, funk, and swing beats that feel genuinely urgent rather than novelty-driven. The piece has the arc of a well-crafted film score, pulling listeners through distinct emotional territories while maintaining a unified voice.

Who it's for

Bands at the Grade 4.5 to 5 level seeking substantial, accessible concert repertoire that connects with current musical interests. Conductors preparing festival and contest programs will find a piece that balances modern idiom with the orchestration sophistication judges and audiences expect at this level.

How to get the most out of it

  • Anchor the rhythmic precision in the final movement by establishing a clear subdivision in your preparatory beat; the funk-and-rock fusion section needs locked ensemble time before it can breathe stylistically.
  • The dense harmonies in the Ballad benefit from sectional rehearsal work isolating the harmonic progression before voices blend. Have woodwinds and brass identify where they're doubling and where they're providing countermotion.
  • Let the Irish rhythmic character of the Overture live in the players' articulations and phrasing rather than in exaggerated tempo fluctuation. A steady pulse with intentional breath work will convey the style more clearly.
  • Consider the encore potential of the final movement seriously during rehearsal planning; staging it separately teaches the band to think about how arrangement and context shape reception.

How to use it

Close a concert with the final movement alone to create a high-energy encore that leaves audiences wanting more, or program all three movements as your feature work on a mixed repertoire program to showcase the band's range across contrasting styles and textures. Its contemporary language and contest-festival designation also make it ideal for spring festivals where programming impact matters as much as technical difficulty.

Skills your students will build

  • Rhythmic flexibility across rock, funk, swing, and classical idioms
  • Reading and executing dense harmonic structures with secure sectional balance
  • Stylistic articulation and phrasing appropriate to pop and dance music forms
  • Ensemble precision in synchronized rhythm sections and percussion-band coordination
  • Understanding form and development within a three-movement symphonic structure

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