Fugue from L'estro Armonico Cover Image

Fugue from L'estro Armonico: String Orchestra Conductor Score & Parts

$50.00 USD
Sale price  $50.00 USD Regular price 
Skip to product information
Fugue from L'estro Armonico Cover Image

Fugue from L'estro Armonico: String Orchestra Conductor Score & Parts

By Antonio Vivaldi, J.S. Bach / arr. Bob Lipton

Grade: 4

Item: 98-ST6373

Need it now?

Buy Digital Version
$50.00
Shipped

One moment…

Description
The combination of Vivaldi and Bach is true magic. The same can be said of this spectacular arrangement of the fugue from the first movement of L'estro Armonico 11, which Bach arranged for his Organ Concerto in D Minor. Combining the best of both versions, this arrangement explores some brilliant contrapuntal writing.

Fugue from L'estro Armonico: String Orchestra Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: FJH String Orchestra
Publisher: The FJH Music Company, Inc.
UPC: 674398233878
SKU: 98-ST6373

More about this title

About the Composer: Antonio Vivaldi

Antonio Vivaldi (1678-1741) shaped the concerto form and elevated the violin to prominence in Baroque instrumental music. His mastery of ritornello structure and brilliant idiomatic writing for strings influenced composers across Europe, most notably J.S. Bach, who studied and adapted Vivaldi's works throughout his career.

Why we love this

This arrangement honors both Vivaldi's original conception and Bach's reimagining of the same material, giving your string orchestra immediate access to music that defined the Baroque concerto tradition. The contrapuntal writing is substantial enough to feel serious, yet the orchestration remains transparent and idiomatically comfortable for Grade 4 strings.

What to expect

Intellectual and energizing. The music unfolds through interlocking voice lines that build complexity gradually, creating moments of clarity and moments of rich harmonic density. There's elegance in the restraint, and the fugal form gives shape and direction to what might otherwise feel abstract.

Who it's for

String orchestra directors teaching Grade 4 students who are ready to encounter authentic Baroque counterpoint without arranging it into something unrecognizable. This works for ensembles that have solid intonation and can manage independent voice lines within a unified ensemble sound.

How to get the most out of it

  • Shape the subject entries clearly across voices; use slight articulation changes to distinguish each voice's entrance and keep the counterpoint audible without oversaturating dynamics.
  • Balance upper and lower string parts during sustained harmonic material so the fugal voices remain prominent when they re-enter.
  • Practice sections separately by voice part first, then combine gradually; the dialogue between voices is the heart of the piece.
  • Maintain rhythmic precision in running passages; Baroque counterpoint depends on steady pulse beneath surface activity.

How to use it

Include this on a concert alongside other Baroque works or as the centerpiece of a program exploring how Bach learned from Vivaldi. The Grade 4 difficulty makes it accessible for mid-year performance after solid rehearsal time.

Skills your students will build

  • Tracking independent voice lines within a fugal structure
  • Maintaining rhythmic accuracy through sustained contrapuntal textures
  • Balancing parts so each melodic line projects without dominating
  • Understanding how harmonic movement supports fugal development
  • Reading and executing articulation that clarifies voice entries

You May Also Like