Fruitcake Cover Image

Fruitcake: SAB Choral Octavo

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Fruitcake Cover Image

Fruitcake: SAB Choral Octavo

Words and music by Philip Hagemann and Penny Leka

Item: 00-43388

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Description
A fun novelty piece that's been a favorite of choirs around the world for 50 years! Alfred Music proudly celebrates this anniversary with five newly-engraved voicings, a whimsical recorded accompaniment, and easy-to-teach choral-ography (available on With a Song!). Throughout the wacky piece, ingredients from the recipe are added one by one, creating a musical recipe to form that infamous holiday treat!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Fruitcake: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Publisher: Alfred Music
Page Count: 12
UPC: 038081489292
SKU: 00-43388

More about this title

About the Composer: Philip Hagemann

Philip Hagemann has built a career writing accessible choral music that connects with singers and audiences alike. His gift for combining musical substance with genuine entertainment value shows throughout his catalog, making him a trusted voice for directors seeking repertoire that engages both performers and listeners.

Why we love this

Fifty years of proven classroom success means you're working with material that directors genuinely enjoy teaching and audiences actually laugh at. The newly-engraved SAB voicings make this accessible to middle school and community choirs without sacrificing the comedic timing that makes the piece work.

What to expect

Whimsical and wildly entertaining, like watching a recipe come alive through music as ingredients pile up one by one. The piece bounces along with infectious energy while staying firmly rooted in the absurdity of fruitcake culture.

Who it's for

Middle school, high school, and community choirs looking for a guaranteed crowd-pleaser with legitimate musical content underneath the humor. The SAB voicing works for mixed ensembles without enough lower voices for SATB, or for groups seeking an energetic break from serious repertoire.

How to get the most out of it

  • Commit fully to the character work and staging. The humor lands only when singers treat the recipe ingredients as genuinely important to the outcome.
  • Balance clarity of diction with the tempo; rushing obscures the joke setup before each new ingredient enters.
  • Use the recorded accompaniment to lock in the groove and free yourself to focus on ensemble precision during rehearsal.
  • Let the SAB voicing shine by balancing parts so no section drowns out the melodic hook that carries the comedy.

How to use it

Perfect as a holiday concert opener or closer; its novelty status gives audiences permission to relax and enjoy themselves. Program it after a set of serious carols to reset the room, or pair it with other secular holiday fare to build a themed segment.

Skills your students will build

  • Comedy timing and ensemble reaction in choral context
  • Clear articulation at faster tempos
  • Part independence in three-part writing
  • Confidence with movement and staging while maintaining vocal precision

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