Frosty the Snowman Cover Image

Frosty the Snowman: TTB Choral Octavo

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Frosty the Snowman Cover Image

Frosty the Snowman: TTB Choral Octavo

Words and music by Steve Nelson and Jack Rollins / arr. Kirby Shaw

Item: 00-38207

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Description
Frosty is rappin', imitating the Beach Boys, and singing in his best classical style in this crazy thumpity-thump-thumpin' Kirby arrangement. Yo, Frosty!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Frosty the Snowman: TTB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081426785
SKU: 00-38207

More about this title

About the Composer: Steve Nelson

Steve Nelson composed the original "Frosty the Snowman" in 1950 with Jack Rollins, creating one of the most enduring holiday standards in American music. His gift for writing memorable melodies that appeal across generations established him as a significant figure in popular and commercial music composition.

Why we love this

Kirby Shaw's arrangement transforms a beloved classic into a theatrical romp that gives your singers permission to have genuine fun while maintaining musical substance. The shifts between rap, Beach Boys homage, and classical style keep singers engaged and entertained, making this a standout choice for holiday concerts that don't take themselves too seriously.

What to expect

Frosty arrives in full theatrical costume, shifting personas constantly and keeping everyone slightly off balance in the best way. One moment you're in a hip-hop groove, the next you're channeling 1960s vocal harmonies, then suddenly you're in concert hall formality. The piece sparkles with personality and invites singers to explore different musical worlds within a single familiar song.

Who it's for

TTB choirs and mixed ensembles that want a high-energy, entertaining holiday selection with real musical character. This works equally well for school choirs seeking something contemporary and fun, and for community groups performing concerts that celebrate pop and holiday traditions together.

How to get the most out of it

  • Commit fully to the style changes; the arrangement's humor lands only when singers embrace each section with conviction rather than ironic distance.
  • Balance the rhythmic drive in the rap sections with clear diction so lyrics remain intelligible at tempo.
  • Use the recorded accompaniment in rehearsal to lock the groove, especially during the thumpity-thump sections where rhythmic precision matters.
  • Shape the classical style moment with genuine musicality; let it breathe as a brief respite before returning to the energy of the piece.

How to use it

Open a second half with this after a more traditional set of holiday songs, or use it as a palate cleanser between classical choral works. Its entertainment value and accessibility make it an ideal closer for concerts aimed at family audiences or mixed programming where you're blending classical and contemporary repertoire.

Skills your students will build

  • Style differentiation (rap, pop, classical conventions within a single piece)
  • Rhythmic precision and groove maintenance in contemporary idioms
  • Diction clarity at faster tempos and in rhythmically driven sections
  • Quick musical context switching and tonal adjustment between contrasting sections

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