Frosty the Snowman Cover Image

Frosty the Snowman: SAB Choral Octavo

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Frosty the Snowman Cover Image

Frosty the Snowman: SAB Choral Octavo

Words and music by Steve Nelson and Jack Rollins / arr. Kirby Shaw

Item: 00-38205

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Description
Frosty is rappin', imitating the Beach Boys, and singing in his best classical style in this crazy thumpity-thump-thumpin' Kirby arrangement. Yo, Frosty!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Frosty the Snowman: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081426761
SKU: 00-38205

More about this title

About the Composer: Steve Nelson

Steve Nelson composed "Frosty the Snowman" with lyricist Jack Rollins in 1950, creating one of the most enduring holiday standards in American music. The song has become a seasonal fixture in concerts, recordings, and media, performed by artists across every genre from pop to classical.

Why we love this

Kirby Shaw's arrangement transforms a holiday classic into a theatrical showcase that keeps singers engaged through genre parody and rhythmic energy. The SAB voicing opens this perennial favorite to more mixed choirs while the recorded accompaniment option makes rehearsal flexible for groups with limited accompanist availability.

What to expect

A musical comedy sketch that moves between silly, soulful, and surprisingly sophisticated in quick succession. The energy is infectious and playful, with enough musical substance to make singers feel like they're doing real singing work, not just novelty entertainment.

Who it's for

Any mixed choir looking to program a crowd-pleasing holiday number that doesn't take itself seriously. This works equally well for high school, college, and community choirs with singers who embrace theatrical interpretation.

How to get the most out of it

  • Nail the rhythmic precision in the rap section; even slight hesitation breaks the comedic timing and momentum.
  • Balance the Beach Boys pastiche so the altos can shine on their moment without the texture becoming muddy.
  • Shape the classical section with clear dynamic contrast to make the style shift land as intentional, not accidental.

How to use it

Schedule this in the second half of a winter concert after you've established the traditional tone. It breaks the mood in the best way, gives your audience permission to laugh, and often becomes the song attendees remember and talk about afterward.

Skills your students will build

  • Managing contrasting musical styles within a single piece
  • Rhythmic accuracy in syncopated and rap-influenced passages
  • Dynamic control across a wide range of volume and intensity
  • Style-specific articulation (classical, contemporary pop, and rhythmic speech)

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