From the Start Cover Image

From the Start: Concert Band Conductor Score

$10.00 USD
Sale price  $10.00 USD Regular price 
Skip to product information
From the Start Cover Image

From the Start: Concert Band Conductor Score

Music and lyrics by Laufey and Spencer Stewart / arr. Michael Kamuf

Grade: 2.5

Item: 00-51861S

$10.00
Shipped

One moment…

Description
Influenced by a wide range of musical artists ranging from Billie Holiday to Taylor Swift, singer/songwriter Laufey brings together catchy melodies, bossa nova rhythms, and jazz harmonies in her recent hit, From the Start. This arrangement, by Michael Kamuf, reinforces syncopated rhythms and has Laufey's scat-singing solo written for an alto saxophone soloist (cross-cued in trumpet). Your students and audiences will be singing the melodies! (2:45)

From the Start: Concert Band Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Belwin Pop Young Band
Publisher: Alfred Music
ISBN10: 1-4706-7677-X
ISBN13: 978-1-4706-7677-3
UPC: 038081599106
SKU: 00-51861S

More about this title

About the Composer: Laufey

Laufey is an Icelandic singer-songwriter who emerged in the early 2020s with a sophisticated blend of jazz, bossa nova, and contemporary pop influences. Her music draws inspiration from classic jazz vocalists like Billie Holiday while incorporating modern songwriting sensibilities and production aesthetics, creating a sound that feels both timeless and current.

Why we love this

This arrangement captures the infectious energy of a contemporary hit without sacrificing musicality or ensemble balance. The alto saxophone scat solo (with trumpet cue) gives your section a genuine moment to shine, while the syncopated rhythms and bossa nova foundation keep the ensemble engaged through every measure. Your audience will recognize the tune immediately, and your students will be genuinely excited to perform it.

What to expect

Smooth and sophisticated, with the warmth of vintage jazz filtered through a modern pop sensibility. The bossa nova rhythms create forward momentum while the scat solo and memorable melodic hooks give the piece personality and charm. It feels fresh without being fussy, accessible without being simplistic.

Who it's for

Concert bands at the 2.5 grade level looking for contemporary literature that engages students and audiences alike. This works equally well for groups seeking to expand beyond traditional wind band repertoire and those looking to build comfort with jazz idioms and Latin rhythms in an accessible context.

How to get the most out of it

  • Lock in the bossa nova groove from the opening rhythm section: the push-pull of the syncopation defines the entire piece, so rehearse those foundational layers first before layering in melody.
  • Feature your best alto saxophonist on the scat solo. This is a moment for personality and jazz inflection, not just note accuracy. Encourage slight rubato and conversational phrasing.
  • Balance the catchy melodic lines so they land without overwhelming the harmonic foundation. The arrangement's magic lives in how the voices interlock, not in any single line dominating.
  • Shape dynamics around the bossa nova feel rather than traditional classical arc. Maintain groove and energy across dynamic changes so the piece stays buoyant.

How to use it

Program this alongside other contemporary pop or light jazz-influenced works to create a set that reflects your students' musical world. It works beautifully as a mid-concert opener to energize the audience after a heavier classical selection, or as a closing number that sends people out humming.

Skills your students will build

  • Syncopated rhythm reading in a pop/jazz context
  • Bossa nova feel and groove maintenance
  • Jazz harmony and chord function awareness
  • Solo featured-section balancing and accompaniment roles
  • Contemporary melodic phrasing and stylistic interpretation

You May Also Like