From the Start Cover Image

From the Start: String Orchestra Conductor Score

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From the Start Cover Image

From the Start: String Orchestra Conductor Score

Music and lyrics by Laufey and Spencer Stewart / arr. Michael Kamuf

Grade: 2.5

Item: 00-51771S

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Description
Influenced by a wide range of musical artists ranging from Billie Holiday to Taylor Swift, singer/songwriter Laufey brings together catchy melodies, bossa nova rhythms, and jazz harmonies in her recent hit, From the Start. This arrangement, by Michael Kamuf, reinforces syncopated rhythms and has transcribed Laufey's scat-singing solo written for violin. Your students and audiences will be singing the melodies! (2:45)

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Additional Details
Series: Belwin Pop Intermediate String Orchestra
Publisher: Alfred Music
ISBN10: 1-4706-7649-4
ISBN13: 978-1-4706-7649-0
UPC: 038081598826
SKU: 00-51771S

More about this title

About the Composer: Laufey

Laufey is an Icelandic singer-songwriter whose music draws freely from jazz, pop, and Latin influences. Her work has resonated with broad audiences by combining sophisticated harmonic language with accessible melodic writing, earning her recognition across streaming platforms and radio play.

Why we love this

This arrangement captures the infectious appeal of a contemporary hit without sacrificing musical substance. Michael Kamuf's orchestration lets the syncopated rhythms shine while keeping the Grade 2.5 difficulty manageable, and the transcribed violin scat solo gives your ensemble a genuinely engaging moment that audiences recognize and love.

What to expect

Bright, modern, and rhythmically grounded. The bossa nova and jazz harmonies give the piece sophistication without weight, while the catchy melodies keep everything buoyant and engaging. There's a laid-back coolness here that feels fresh in a concert setting.

Who it's for

String orchestras at the intermediate level (Grade 2.5) looking to program contemporary repertoire that connects with student musicians and audiences alike. Directors who want to build rhythmic sophistication and stylistic awareness while keeping accessibility intact.

How to get the most out of it

  • Lock the syncopation as a section first before worrying about balancing with the melody. The rhythmic precision is what makes this arrangement click.
  • Bring out the bossa nova influence by keeping the pulse relaxed and slightly behind the beat, not driving it forward.
  • Shape the violin scat solo as you would a singer's phrase: think of the articulation and breathing rather than playing it as pure technique.
  • Let the melodic lines breathe and sing. Your students will respond to the contemporary source and that energy lifts the whole piece.

How to use it

Pair this with traditional string orchestra repertoire to show your audience the range and relevance of contemporary music for strings. The 2:45 length makes it ideal as a first-half opener or as part of a mixed concert that includes both classical and modern works.

Skills your students will build

  • Syncopated rhythm reading and execution across string parts
  • Stylistic awareness of Latin and jazz idioms (bossa nova feel, swing articulation)
  • Balancing accompaniment figures with featured melody lines
  • Phrasing and interpretation in contemporary vocal-influenced contexts
  • Coordination of rhythmic precision with relaxed, groove-oriented pulse

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