From a Silent Film... Cover Image

From a Silent Film...: Brass Quintet Score & Parts

$15.00 USD
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From a Silent Film... Cover Image

From a Silent Film...: Brass Quintet Score & Parts

By Jeff Smallman / arr. David Marlatt

Level: Medium-Difficult

Item: 81-BQ2066

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Description
This work was originally for piano but its transformation to brass quintet seemed logical because of the melodic material. The work opens with trumpet melody then progresses to a series of arpeggios passing throughout the group. The tuba then has a long section of solo melody before the return of the first section. Melodic, rhythmic, exciting!

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
UPC: 685462001033
SKU: 81-BQ2066
Instrumentation: Brass Quintet

More about this title

Why we love this

David Marlatt's arrangement captures the piano original's lyrical character while giving each brass voice genuine melodic responsibility. The tuba feature alone makes this worth programming; it's rare to find medium-difficult quintet repertoire that trusts the low brass with such extended solo material. The arc from trumpet opening through full-section exploration to a satisfying return creates the kind of musical narrative that audiences and adjudicators both recognize as substantial.

What to expect

Cinema without dialogue. The work evokes the sweep and drama of silent film scoring, with the trumpet's opening statement like a spotlight on stage and the arpeggios creating motion and propulsion. The tuba solo shifts the mood inward, reflective and singing, before the energy returns.

Who it's for

Intermediate to advanced brass quintets ready to move beyond unison-heavy writing into parts that demand individual musicianship. This arrangement suits groups preparing for contests, festivals, or concerts where you want a piece that sounds polished yet doesn't require virtuosic technique.

How to get the most out of it

  • Establish the opening trumpet melody with singing tone and clear phrasing; this is your main hook, and it should sound effortless despite the arpeggios that follow.
  • Balance the arpeggiated passages so that melodic contour remains audible across the ensemble rather than dissolving into accompaniment texture.
  • Give the tuba soloist room to breathe. This section is the emotional centerpiece, so resist the urge to rush and let the harmony underneath provide support without crowding.
  • Bring the return of the first section back with renewed energy; the contrast between the tuba's introspective moment and this restatement will feel earned.

How to use it

Program this alongside lighter fare or standard contest repertoire to show your quintet's range. Its moderate technical demands and clear musical architecture make it ideal for festival competition or a chamber concert where you want a piece that stands on its own without theatrical elements.

Skills your students will build

  • Sustaining lyrical melodic lines across longer phrases
  • Balance and blend in arpeggiated figurations
  • Solo performance under pressure (tuba feature)
  • Ensemble cohesion when passing melodic material between voices
  • Dynamic control and shaping in return sections

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